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More than 10,000 results for San Michele

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The Island of San Michele, Venice, Francesco Guardi Italian, Oil on canvas — The Island of San Michele, Venice
Francesco Guardi
1770s

The Virgin Annunciate, Pietro Ferloni Italian, Wool, silk (26-29 warps per inch, 10-11 per cm.), Italian, probably Rome — The Virgin Annunciate
Pietro Ferloni
San Michele
mid-18th century

Head of the Virgin (Mater Dolorosa), Pietro Ferloni Italian, Wool, silk (19-20 warps per inch, 8 per cm.), Italian, Rome — Head of the Virgin (Mater Dolorosa)
Multiple artists/makers
mid-18th century

Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1739

The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome — The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata)
Multiple artists/makers
designed ca. 1689–93, woven 1732–39

Bust of the Virgin, Guido Reni Italian, Silk, wool (28-29 warps per inch, 10-11 per cm.), Italian, Rome — Bust of the Virgin
Multiple artists/makers
mid-18th century

The Execution of Saint John the Baptist, Ubaldo Gandolfi Italian, Oil on canvas — The Execution of Saint John the Baptist
Ubaldo Gandolfi
ca. 1770

View of the Façade of the Cathedral of San Michele, Pavia, Giulio Aluisetti Italian, Pen and gray ink, brush and gray wash, over graphite, ruling — View of the Façade of the Cathedral of San Michele, Pavia
Giulio Aluisetti
1820s

Harpsichord, Michele Todini , designer Italian, Wood, gilt, ebony, ivory, parchment, Italian (Roman) — Harpsichord
Multiple artists/makers
ca. 1670

View of Florence: Or San Michele, Towards Piazza della Signoria (Via dei Calzaiuoli), Anonymous, Italian, 18th century Italian, Pen and brown ink, a little brush and pink-red wash, over traces of graphite on cream laid paper — View of Florence: Or San Michele, Towards Piazza della Signoria (Via dei Calzaiuoli)
Anonymous, Italian, 18th century
18th century

Madonna and Child, Lorenzo Ghiberti Italian, Stucco, polychromed, Italian, Florence — Madonna and Child
Lorenzo Ghiberti
ca. 1425–40

Doorway from the Church of San Nicolò, San Gemini, Marble (Lunense marble from Carrara), Central Italian — Doorway from the Church of San Nicolò, San Gemini
Central Italian
carved 1000s, assembled 1100s or 1200s

Madonna and Child with Saints, Priamo della Quercia (Priamo del Pietro) Italian, Tempera on wood, gold ground — Madonna and Child with Saints
Priamo della Quercia (Priamo del Pietro)
ca. 1442

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Roman alphabet against architectural backgrounds, from G. P. Zanotti's Il Claustro di San Michele in Bosco di Bologna, Pio Panfili Italian, Etchings on pale green paper — Roman alphabet against architectural backgrounds, from G. P. Zanotti's Il Claustro di San Michele in Bosco di Bologna
Pio Panfili
1776

Allegory of Sacred and Profane Love, Michele Desubleo Flemish, Oil on canvas — Allegory of Sacred and Profane Love
Michele Desubleo
1665–75

The Man of Sorrows, Michele Giambono (Michele Giovanni Bono) Italian, Tempera and gold on wood — The Man of Sorrows
Michele Giambono (Michele Giovanni Bono)
ca. 1430

Roman alphabet against architectural backgrounds, from G. P. Zanotti's Il Claustro di San Michele in Bosco di Bologna

Pio Panfili

1776

Roman alphabet against architectural backgrounds, from G. P. Zanotti's Il Claustro di San Michele in Bosco di Bologna

Pio Panfili

1776

Isolario Veneto

Antonio Maria Visentini

Teodoro Viero

ca. 1700–1800

Black-on-Black Jar, Maria Martínez Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American — Black-on-Black Jar
Maria Martínez
Julián Martínez
1919–20

San Gimignano, Elihu Vedder American, Oil on canvas, American — San Gimignano
Elihu Vedder

San Zaccaria, Venice, Thomas Struth German, Chromogenic print — San Zaccaria, Venice
Thomas Struth
1995

Piazza San Marco, Francesco Guardi Italian, Oil on canvas — Piazza San Marco
Francesco Guardi
late 1760s

Piazza San Marco, Venice, Luca Carlevaris Italian, Oil on canvas — Piazza San Marco, Venice
Luca Carlevaris
ca. 1709

Madonna and Child with the Infant Saint John the Baptist, Michele da Verona (Michele di Zenone) Italian, Tempera and oil on wood — Madonna and Child with the Infant Saint John the Baptist
Michele da Verona (Michele di Zenone)
probably late 1490s

Repeating Flintlock Pistol, Michele Lorenzoni Italian, Steel, wood, silver, Italian, Florence — Repeating Flintlock Pistol
Michele Lorenzoni
ca. 1690–1700

Panel with San Millán, Master Engelram and his son Redolfo Spanish, Elephant ivory, with glass inlay, Spanish — Panel with San Millán
Master Engelram and his son Redolfo
1060–80

Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian — Portal from the Church of San Leonardo al Frigido
Biduinus
ca. 1175

"Gleaner", Michele Oka Doner American, crocodile skin, silver, American — "Gleaner"
Michele Oka Doner
Nancy Gonzalez
2007

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano) Italian, Oil on wood; (verso: oil and gold on wood) — Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto (Jacometto Veneziano)
ca. 1485–95

Saint Paul, Michele da Verona, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown. — Saint Paul
Michele da Verona
ca. 1510

Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609), Michele Mazzafirri, Bronze, cast, Italian, Florence — Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609)
Michele Mazzafirri
1588

Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano), Michele Gordigiani Italian, Oil on canvas — Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano)
Michele Gordigiani
1864

Standing Apostle or Saint, Michele Giambono (Michele Giovanni Bono) (?) Italian, Pen and brown ink, touches of brush and darker brown wash, over black chalk. — Standing Apostle or Saint
Michele Giambono (Michele Giovanni Bono)
Bartolomeo Vivarini
mid-fifteenth century

Michele, b. 1977, Katy Grannan American, Inkjet print — Michele, b. 1977
Katy Grannan
2004

Ponte San Rocco and Waterfalls, Tivoli, François Marius Granet French, Oil on canvas — Ponte San Rocco and Waterfalls, Tivoli
François Marius Granet
ca. 1810–20

Plate 21: Saints Valerian and Tiburtius being decapitated and taken to the burial place by a group of men, from "Il claustro di San Michele in Bosco di Bologna..."

Multiple artists/makers

1776