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Showing 8,887 results for Shaikh Muhammad Amir of Karraya

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A Syce (Groom) Holding Two Carriage Horses, Shaikh Muhammad Amir of Karraya, Opaque watercolor on paper — A Syce (Groom) Holding Two Carriage Horses
Shaikh Muhammad Amir of Karraya
ca. 1845

"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Ink, opaque watercolor, and gold on paper — "The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Multiple artists/makers
1597–98

"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Image: Ink, opaque watercolor, and gold on paper<br/>Margins: Gold on dyed paper — "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Multiple artists/makers
1597–98

"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: ink, opaque watercolor, and gold on paper<br/>Margins: gold on dyed paper — "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98

"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper — "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98

"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

The House of Bijapur, Kamal Muhammad, Ink, opaque watercolor, gold, and silver on paper — The House of Bijapur
Kamal Muhammad
Chand Muhammad
ca. 1680

Anthology of Persian Poetry, Amir Shahi of Sabzavar Iranian, Main support: Ink, opaque watercolor, and gold on paper<br/>Binding: Lacquer — Anthology of Persian Poetry
Multiple artists/makers
16th century

"Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, watercolor, gold on paper<br/>Margins: Gold on dyed paper — "Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Mukunda
1597–98

"Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paperg<br/>Margins: Gold on dyed paper — "Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Basawan
1597–98

"Khusrau Arriving at Shirin's Palace", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Opaque watercolor and gold on paper — "Khusrau Arriving at Shirin's Palace", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

"Laila Visiting Majnun in the Desert", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Ink, opaque watercolor, and gold on paper — "Laila Visiting Majnun in the Desert", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

"Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Ink, opaque watercolor, and gold on paper — "Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25

Man with Prayer Beads, Muhammad `Ali, Ink, transparent and opaque watercolor, and gold on paper — Man with Prayer Beads
Muhammad `Ali
mid-17th century

Pen Box with a Europeanizing Landscape, Haji Muhammad Iranian, Papier-maché; painted and lacquered — Pen Box with a Europeanizing Landscape
Haji Muhammad
late 17th–early 18th century

Instrument Case, Muhammad Baqir Iranian, Papier-maché and pasteboard; painted and lacquered — Instrument Case
Muhammad Baqir
dated 1204 AH/1789 CE

Sitar, Muhammad Azim, Wood, gourd, and bone, Pakistani — Sitar
Muhammad Azim
early 1940s

"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525

"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Muhammad ibn Badr al-Din Jajarmi Iranian, Ink, opaque watercolor, and gold on paper — Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi
Muhammad ibn Badr al-Din Jajarmi
dated 741 AH/1340–41 CE

Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi, Ja`far ibn Muhammad ibn `Ali, Bronze; cast, engraved, chased, pierced — Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi
Ja`far ibn Muhammad ibn `Ali
dated 577 AH/1181–82 CE

An Orange-Headed Ground Thrush and a Death's-Head Moth on a Purple Ebony Orchid Branch, Shaikh Zain al–Din Indian, Opaque watercolor and ink on paper — An Orange-Headed Ground Thrush and a Death's-Head Moth on a Purple Ebony Orchid Branch
Shaikh Zain al–Din
dated 1778

Star-Shaped Plaque, Muhammad Talib Gilani Iranian, Ivory; carved with traces of pigment — Star-Shaped Plaque
Muhammad Talib Gilani
first half 16th century

Page of Calligraphy, Sultan Muhammad Nur Iranian, Ink, opaque watercolor, and gold on paper — Page of Calligraphy
Sultan Muhammad Nur
early 16th century

Anthology of Persian Poetry in Oblong Format (Safina), Sultan Muhammad Nur Iranian, Ink, watercolor, and gold on paper.<br/>Binding: leather — Anthology of Persian Poetry in Oblong Format (Safina)
Sultan Muhammad Nur
dated 905 AH/1499–1500 CE

Illuminated Frontispiece of a Bustan of Sa`di, Sultan Muhammad Nur Iranian, Folio: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather — Illuminated Frontispiece of a Bustan of Sa`di
Sultan Muhammad Nur
dated 920 AH/1514 CE

Folio from a Qur'an Manuscript, Muhammad al-Zanjani Iranian, Ink, gold, and opaque watercolor on paper — Folio from a Qur'an Manuscript
Muhammad al-Zanjani
dated 531 AH/1137 CE

"Ali and Omar on the Battlefield," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan Indian, Translucent and opaque watercolor, ink, gold, and silver on paper — "Ali and Omar on the Battlefield," Folio from a Hamla-yi Haidari (Attack of the Lion)
Muhammad Rafi Khan
ca. 1820

"Bilal Calling to Prayer While Prophet Muhammad and Ali are Visited by Emissaries," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan Indian, Translucent and opaque watercolor, ink, and gold on paper — "Bilal Calling to Prayer While Prophet Muhammad and Ali are Visited by Emissaries," Folio from a Hamla-yi Haidari (Attack of the Lion)
Muhammad Rafi Khan
ca. 1820

"Muhammad and His Followers Going to Battle," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan Indian, Translucent and opaque watercolor, ink, and gold on paper — "Muhammad and His Followers Going to Battle," Folio from a Hamla-yi Haidari (Attack of the Lion)
Muhammad Rafi Khan
ca. 1820

Mirror Case Depicting the Meeting of Nasir al-Din Mirza and Tsar Nicholas I in Erivan and Satin Pouch, Muhammad Isma'il Isfahani Iranian, a) Pasteboard, opaque color, watercolor, gold under a lacquer varnish<br/>b) Satin pouch with metal wrapped embroidery — Mirror Case Depicting the Meeting of Nasir al-Din Mirza and Tsar Nicholas I in Erivan and Satin Pouch
Muhammad Isma'il Isfahani
dated 1271 AH/1854 CE

"Interior Reception", Folio 36r from a Bustan of Sa`di, Shaikh Zada Iranian, Ink, opaque watercolor, and gold on paper — "Interior Reception", Folio 36r from a Bustan of Sa`di
Shaikh Zada
Sa'di
ca. 1525–35

Shahnama (Book of Kings) of Firdausi, Shah Muhammad of Sabzavar, Ink, opaque watercolor, and gold on paper — Shahnama (Book of Kings) of Firdausi
Shah Muhammad of Sabzavar
Abu'l Qasim Firdausi
17th century

Sword (<i>Rudus</i>) and Scabbard, Muhammad Salih of Terumon, Steel, horn, gold, wood, Malaysian, Kampung Payang and Sumatran, Aceh — Sword (Rudus) and Scabbard
Muhammad Salih of Terumon
dated 1835

Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), Shaikh Hamdullah ibn Mustafa Dede Turkish, Main support: ink, watercolor, and gold on paper<br/>Margins: ink, watercolor, and gold on marbled paper<br/>Binding: leather and gold — Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith)
Shaikh Hamdullah ibn Mustafa Dede
ca. 1500

"Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Opaque watercolor, ink, and gold on paper — "Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

Pen Box attributed to Muhammad ibn Muhammad Mahdi, Muhammad ibn Muhammad Mahdi, Papier-maché; painted, gilded, and varnished — Pen Box attributed to Muhammad ibn Muhammad Mahdi
Muhammad ibn Muhammad Mahdi
early 19th century

Three-pronged Spear

Muhammad Hasan

19th century