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1-42 of 8,901 results for Shaikh Muhammad Amir of Karraya
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A Syce (Groom) Holding Two Carriage Horses, Shaikh Muhammad Amir of Karraya, Opaque watercolor on paper
A Syce (Groom) Holding Two Carriage Horses
Shaikh Muhammad Amir of Karraya
ca. 1845
"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Image: Ink, opaque watercolor, and gold on paper<br/>Margins: Gold on dyed paper
"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Multiple artists/makers
1597–98
"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Ink, opaque watercolor, and gold on paper
"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Multiple artists/makers
1597–98
"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: ink, opaque watercolor, and gold on paper<br/>Margins: gold on dyed paper
"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98
"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper
"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Miskin
1597–98
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE
The House of Bijapur, Kamal Muhammad, Ink, opaque watercolor, gold, and silver on paper
The House of Bijapur
Kamal Muhammad
Chand Muhammad
ca. 1680
Anthology of Persian Poetry, Amir Shahi of Sabzavar Iranian, Main support: Ink, opaque watercolor, and gold on paper<br/>Binding: Lacquer
Anthology of Persian Poetry
Multiple artists/makers
16th century
"Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, watercolor, gold on paper<br/>Margins: Gold on dyed paper
"Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Mukunda
1597–98
"Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi Indian, Main support: Ink, opaque watercolor, gold on paperg<br/>Margins: Gold on dyed paper
"Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Amir Khusrau Dihlavi
Basawan
1597–98
"Laila Visiting Majnun in the Desert", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Ink, opaque watercolor, and gold on paper
"Laila Visiting Majnun in the Desert", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25
"Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Ink, opaque watercolor, and gold on paper
"Muslim Pilgrim to Mecca Meets a Brahman on the Road", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25
"Khusrau Arriving at Shirin's Palace", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Ala al-Din Muhammad, Opaque watercolor and gold on paper
"Khusrau Arriving at Shirin's Palace", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Ala al-Din Muhammad
Amir Khusrau Dihlavi
1520–25
Sitar, Muhammad Azim, Wood, gourd, and bone, Pakistani
Sitar
Muhammad Azim
early 1940s
Pen Box with a Europeanizing Landscape, Haji Muhammad Iranian, Papier-maché; painted and lacquered
Pen Box with a Europeanizing Landscape
Haji Muhammad
late 17th–early 18th century
Man with Prayer Beads, Muhammad `Ali, Ink, transparent and opaque watercolor, and gold on paper
Man with Prayer Beads
Muhammad `Ali
mid-17th century
Instrument Case, Muhammad Baqir Iranian, Papier-maché and pasteboard; painted and lacquered
Instrument Case
Muhammad Baqir
dated 1204 AH/1789 CE
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525
"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE
"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi, Ja`far ibn Muhammad ibn `Ali, Bronze; cast, engraved, chased, pierced
Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi
Ja`far ibn Muhammad ibn `Ali
dated 577 AH/1181–82 CE
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Muhammad ibn Badr al-Din Jajarmi Iranian, Ink, opaque watercolor, and gold on paper
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi
Muhammad ibn Badr al-Din Jajarmi
dated 741 AH/1340–41 CE
An Orange-Headed Ground Thrush and a Death's-Head Moth on a Purple Ebony Orchid Branch, Shaikh Zain al–Din Indian, Opaque watercolor and ink on paper
An Orange-Headed Ground Thrush and a Death's-Head Moth on a Purple Ebony Orchid Branch
Shaikh Zain al–Din
dated 1778
Illuminated Frontispiece of a Bustan of Sa`di, Sultan Muhammad Nur Iranian, Folio: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather
Illuminated Frontispiece of a Bustan of Sa`di
Sultan Muhammad Nur
dated 920 AH/1514 CE
Star-Shaped Plaque, Muhammad Talib Gilani Iranian, Ivory; carved with traces of pigment
Star-Shaped Plaque
Muhammad Talib Gilani
first half 16th century
Page of Calligraphy, Sultan Muhammad Nur Iranian, Ink, opaque watercolor, and gold on paper
Page of Calligraphy
Sultan Muhammad Nur
early 16th century
Folio from a Qur'an Manuscript, Muhammad al-Zanjani Iranian, Ink, gold, and opaque watercolor on paper
Folio from a Qur'an Manuscript
Muhammad al-Zanjani
dated 531 AH/1137 CE
"Ali and Omar on the Battlefield," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan Indian, Translucent and opaque watercolor, ink, gold, and silver on paper
"Ali and Omar on the Battlefield," Folio from a Hamla-yi Haidari (Attack of the Lion)
Muhammad Rafi Khan
ca. 1820
"Bilal Calling to Prayer While Prophet Muhammad and Ali are Visited by Emissaries," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan Indian, Translucent and opaque watercolor, ink, and gold on paper
"Bilal Calling to Prayer While Prophet Muhammad and Ali are Visited by Emissaries," Folio from a Hamla-yi Haidari (Attack of the Lion)
Muhammad Rafi Khan
ca. 1820
"Muhammad and His Followers Going to Battle," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan Indian, Translucent and opaque watercolor, ink, and gold on paper
"Muhammad and His Followers Going to Battle," Folio from a Hamla-yi Haidari (Attack of the Lion)
Muhammad Rafi Khan
ca. 1820
Mirror Case Depicting the Meeting of Nasir al-Din Mirza and Tsar Nicholas I in Erivan and Satin Pouch, Muhammad Isma'il Isfahani Iranian, a) Pasteboard, opaque color, watercolor, gold under a lacquer varnish<br/>b) Satin pouch with metal wrapped embroidery
Mirror Case Depicting the Meeting of Nasir al-Din Mirza and Tsar Nicholas I in Erivan and Satin Pouch
Muhammad Isma'il Isfahani
dated 1271 AH/1854 CE
"Interior Reception", Folio 36r from a Bustan of Sa`di, Shaikh Zada Iranian, Ink, opaque watercolor, and gold on paper
"Interior Reception", Folio 36r from a Bustan of Sa`di
Shaikh Zada
Sa'di
ca. 1525–35
Shahnama (Book of Kings) of Firdausi, Shah Muhammad of Sabzavar, Ink, opaque watercolor, and gold on paper
Shahnama (Book of Kings) of Firdausi
Shah Muhammad of Sabzavar
Abu'l Qasim Firdausi
17th century
Sword (<i>Rudus</i>) and Scabbard, Muhammad Salih of Terumon, Steel, horn, gold, wood, Malaysian, Kampung Payang and Sumatran, Aceh
Sword (Rudus) and Scabbard
Muhammad Salih of Terumon
dated 1835
Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), Shaikh Hamdullah ibn Mustafa Dede Turkish, Main support: ink, watercolor, and gold on paper<br/>Margins: ink, watercolor, and gold on marbled paper<br/>Binding: leather and gold
Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith)
Shaikh Hamdullah ibn Mustafa Dede
ca. 1500
"Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE
"Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Opaque watercolor, ink, and gold on paper
"Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE
Pen Box attributed to Muhammad ibn Muhammad Mahdi, Muhammad ibn Muhammad Mahdi, Papier-maché; painted, gilded, and varnished
Pen Box attributed to Muhammad ibn Muhammad Mahdi
Muhammad ibn Muhammad Mahdi
early 19th century
Three-pronged Spear
Muhammad Hasan
19th century
Tile with Niche Design, Nusrat al-Din Muhammad, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze
Tile with Niche Design
Nusrat al-Din Muhammad
dated 860 AH/1455–56 CE
Tombstone of Abu Sa'd ibn Muhammad ibn Ahmad al-Hasan Karwaih, Ahmad ibn Muhammad Astak Iranian, Marble; carved, painted
Tombstone of Abu Sa'd ibn Muhammad ibn Ahmad al-Hasan Karwaih
Ahmad ibn Muhammad Astak
dated 545 AH/1150 CE
Mirror Case Depicting Crucifixion Scene, Muhammad Isma'il Isfahani Iranian, Pasteboard, papier-maché; opaque watercolor, gilded, and lacquered
Mirror Case Depicting Crucifixion Scene
Muhammad Isma'il Isfahani
Muhammad Javad, Iranian, active mid-19th century
mid-19th century