Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

Showing 5,407 results for T. C. Wilson

Sort by:

The Dissecting Room, T. C. Wilson British, Hand-colored lithograph — The Dissecting Room
T. C. Wilson
Thomas Rowlandson
ca. 1838

The Mete of the Muse, Fred Wilson American, Bronze, patina, paint — The Mete of the Muse
Fred Wilson
2006

Reliquary monstrance of St. John the Baptist, C. C., Silver gilt, Italian, probably Florence — Reliquary monstrance of St. John the Baptist
C. C.
ca. 1640, with 18th century additions

Sugar Tongs, Robert Wilson American, Silver, American — Sugar Tongs
Robert Wilson
1800–1830

Celestial Globe, James Wilson American, Wood, plaster, paper, brass, American — Celestial Globe
James Wilson
1819

Celestial Globe, James Wilson American, Wood, plaster, paper, brass, American — Celestial Globe
James Wilson
1821

Lake Nemi and Genzano from the Terrace of the Capuchin Monastery, Richard Wilson British, Welsh, Oil on canvas — Lake Nemi and Genzano from the Terrace of the Capuchin Monastery
Richard Wilson
ca. 1756–57

Terrestrial Globe, James Wilson American, Mahogany, plaster, paper, brass, American — Terrestrial Globe
James Wilson
1828

Vase, Louis C. Tiffany American, Favrile glass, American — Vase
Louis C. Tiffany
Tiffany Glass and Decorating Company
1893–96

Hair Ornament, Louis C. Tiffany American, Gold, silver, platinum, black opals, boulder opals, demantoid garnets, rubies, enamel., American — Hair Ornament
Louis C. Tiffany
ca. 1904

Lamp, Louis C. Tiffany American, Leaded Favrile glass and bronze, American — Lamp
Louis C. Tiffany
Tiffany Studios
1904–15

Sugar Tongs, William Wilson White American, Silver, American — Sugar Tongs
William Wilson White
1825–35

Double-Barrel Breech-Loading Pinfire Shotgun, J. C. A. Brun French, Steel, wood (walnut), gold, French, Paris — Double-Barrel Breech-Loading Pinfire Shotgun
Multiple artists/makers
dated 1866

Communion cup (one of two), I T British, Silver, British, London — Communion cup (one of two)
I T
1631/32

Creampot, I. T. American, Silver, American — Creampot
I. T.
1765–85

Fireback, A. T. American, Cast iron, American — Fireback
A. T.
1767

Spoon, B. T. American, Silver, American — Spoon
B. T.
1740–50

Sugar Tongs, A. T. American, Silver, American — Sugar Tongs
A. T.
1770–1800

Patch Box, I. T. American, Silver, American — Patch Box
I. T.
1750–ca. 1780

Bowl, W. T., Silver, American or Irish — Bowl
W. T.
1730–75

Communion cup (one of two), I T British, Silver, British, London — Communion cup (one of two)
I T
1631/32

Teapot, I. T. American, Silver, American — Teapot
I. T.
1820–40

Teapot, T. S., Pewter, wood — Teapot
T. S.
1760–80

Tea Spoon, T. Denison American, Silver, American — Tea Spoon
T. Denison
1775–1800

Jug, T. Johnson, Earthenware, transfer-printed, British — Jug
T. Johnson
1770–1800

Salt Spoon, T. & H. American, Silver, American — Salt Spoon
T. & H.
1810–20

[Merchants' Carnival Portrait: First National Bank, Cherokee, Iowa]

John C. Wilson

1880s–1890s

Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830), C. Liger French, Steel, silver, gold, wood, fish skin, textile, French, Paris — Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)
C. Liger
hallmarked for 1785–86

Suggestion for mosaic panel, Mrs. Edward Van Ingen, Church of the Redeemer, Patterson, New Jersey, Louis C. Tiffany American, Transparent and opaque watercolor, pen and gold metallic ink, and graphite on drawing paper in original mat, American — Suggestion for mosaic panel, Mrs. Edward Van Ingen, Church of the Redeemer, Patterson, New Jersey
Multiple artists/makers
ca.1921

Design for a mosaic panel, Ascension, Second Presbyterian Church, Amsterdam, New York, Louis C. Tiffany American, Gouache and graphite on artist board in original window matt with gold metallic finish., American — Design for a mosaic panel, Ascension, Second Presbyterian Church, Amsterdam, New York
Multiple artists/makers
ca. 1923

Design for double window, Louis C. Tiffany American, Watercolor and gouache on paper mounted on original matt board, American — Design for double window
Multiple artists/makers
ca. 1908

Design for church interior, Louis C. Tiffany American, Watercolor on paper, American — Design for church interior
Multiple artists/makers
1919-20

Photograph of design for single mosaic panel for "Te Deum Laudamus" triptych, Louis C. Tiffany American, Photostat with watercolor highlights, American — Photograph of design for single mosaic panel for "Te Deum Laudamus" triptych
Multiple artists/makers
ca. 1922–23

Design for a rose window, Louis C. Tiffany American, Transparent and opaque watercolor, and graphite on cut white wove paper trimmed into shapes, American — Design for a rose window
Multiple artists/makers
ca. 1902–22

Suggestion for Window, Mr. J.C. Williams, All Saints' Chapel, Atlanta, Georgia, Louis C. Tiffany American, Transparent and opaque watercolor, ink, and graphite on, American — Suggestion for Window, Mr. J.C. Williams, All Saints' Chapel, Atlanta, Georgia
Multiple artists/makers
ca. 1920

Design for Christian soldier window, Louis C. Tiffany American, Watercolor, gouache, pen, and black and light purplish-grey inks, graphite, American — Design for Christian soldier window
Multiple artists/makers
1917

Design for Angels of Praise window, Louis C. Tiffany American, Watercolor, gouache, colored pencil, silver gelatin photograph on paper, and graphite, adhered to off-white wove paper cut into three rectangular windows and two medallions mounted on warm grey secondary support., American — Design for Angels of Praise window
Multiple artists/makers
ca. 1902–27

Design for single mosaic panel for "Te Deum Laudamus" triptych, Louis C. Tiffany American, Brown wash, white gouache, and graphite on paper mounted on board in original mat, American — Design for single mosaic panel for "Te Deum Laudamus" triptych
Multiple artists/makers
ca. 1899

Christ blessing children, Brown memorial window, Westminster Moriah Olivet Presbyterian Church, Utica, New York, Louis C. Tiffany American, Watercolor, gouache, and graphite on silver-based photograph, collaged, on printing-out-paper, off-white wove paper and warm grey mat board secondary support, American — Christ blessing children, Brown memorial window, Westminster Moriah Olivet Presbyterian Church, Utica, New York
Multiple artists/makers
1906

Photograph of design for single mosaic panel for "Te Deum Laudamus" triptych, Louis C. Tiffany American, Photograph, American — Photograph of design for single mosaic panel for "Te Deum Laudamus" triptych
Multiple artists/makers
ca. 1922–23