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Showing 1,181 results for Tara

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Maharana Sarup Singh Inspects a Prize Stallion, Tara, Opaque watercolor, ink, and gold on paper, Western India, Rajasthan, Mewar — Maharana Sarup Singh Inspects a Prize Stallion
Tara
1845–46

Tara, the Buddhist Savior, Gilt copper alloy with color and semiprecious stone inlay, Nepal, Kathmandu Valley — Tara, the Buddhist Savior
Nepal, Kathmandu Valley
14th century

Twenty-One Emanations of the Goddess Tara, Stone with polychrome, Tibet — Twenty-One Emanations of the Goddess Tara
Tibet
14th century

Tara, Bronze with silver inlay, India, Bihar — Tara
India, Bihar
12th century

Tara, a form of Kali (Tara Thakoorani), Gouache and ink on paper, India, Kolkata, West Bengal — Tara, a form of Kali (Tara Thakoorani)
India, Kolkata, West Bengal
early 20th century

Untitled (Pins), Tara Donovan American, #17 steel dressmaker pins — Untitled (Pins)
Tara Donovan
2004

White Tara and Green Tara, Distemper on cloth, Western Tibet (Guge) — White Tara and Green Tara
Western Tibet (Guge)
1450–1500

Tara, Copper alloy, North India (possibly Uttar Pradesh) — Tara
North India (possibly Uttar Pradesh)
ca. 7th century

Diptych of Kali / Tara, wrathful protectors, Calcutta Art Studio, Chromolithographic on paper, India, Kolkata, West Bengall — Diptych of Kali / Tara, wrathful protectors
Calcutta Art Studio
1885–90

Tara, Brass inlaid with silver and copper, Pakistan (Swat Valley region) — Tara
Pakistan (Swat Valley region)
7th century

Goddess Tara, Lithograph, printed in black with hand-coloring with watercolor and selectively applied glaze, West Bengal, Calcutta — Goddess Tara
West Bengal, Calcutta
ca. 1880–85

Tara Thakoorani (The Goddess Tara), Gouache and ink on paper, India, West Bengal — Tara Thakoorani (The Goddess Tara)
India, West Bengal
early 20th century

Seated Tara, Dry lacquer, Tibet — Seated Tara
Tibet
15th–16th century

Seated Tara, Bronze, India — Seated Tara
India
ca. 10th century

Standing Tara, Bronze, India — Standing Tara
India
ca. 12th century

Seated Tara, Polychromed wood, Nepal (Kathmandu Valley) — Seated Tara
Nepal (Kathmandu Valley)
17th century

Standing Tara, Copper with gilt, Nepal (Kathmandu Valley) — Standing Tara
Nepal (Kathmandu Valley)
17th–18th century

Eka-Tara, Gourd, skin, bamboo, Indian — Eka-Tara
Indian
late 19th century

Tara Brooch, Elkington & Co. British, Copper alloy, gilt, silver, glass, enamel, Irish — Tara Brooch
Elkington & Co.
early 20th century

Seated Tara, Silver, Indonesia (Java) — Seated Tara
Indonesia (Java)
second half of the 9th–early 10th century

Tara, the Buddhist Savior, Gilt-copper alloy with color and gold paint, Nepal (Kathmandu Valley) — Tara, the Buddhist Savior
Nepal (Kathmandu Valley)
12th–early 13th century

Votive Plaque Showing Tara, Clay, Tibet — Votive Plaque Showing Tara
Tibet
ca. 16th–18th century

Seated Green Tara, Bronze, Tibet — Seated Green Tara
Tibet
17th–18th century

Standing Four-Armed Avalokiteshvara Flanked by Tara and Bhrikuti(?), Bronze with silver inlay, Indonesia (Java) — Standing Four-Armed Avalokiteshvara Flanked by Tara and Bhrikuti(?)
Indonesia (Java)
second half of the 9th–early 10th century

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

, Wood with traces of gilding and color, Tibet — Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Tibet
14th–15th century

Seated Tara, the Buddhist Savior, Copper alloy inlaid with gold and silver, Tibet — Seated Tara, the Buddhist Savior
Tibet
13th–15th century

Tara, the Buddhist Savioress

, Bronze, Bangladesh (probably Comilla District) — Tara, the Buddhist Savioress
Bangladesh (probably Comilla District)
ca. second half of the 8th century

Votive Plaque with White Tara, Black clay with color and gilt, Tibet — Votive Plaque with White Tara
Tibet
16th–19th century

Standing Tara, the Buddhist Savioress, Bronze, Pakistan (Northwest Frontier Providence, Swat Valley) — Standing Tara, the Buddhist Savioress
Pakistan (Northwest Frontier Providence, Swat Valley)
9th century

Seated Boddhisattva, Tara, on Lotus Throne, Framed painting; ink and color on paper, China (?) — Seated Boddhisattva, Tara, on Lotus Throne
China (?)
15th century

Seated Multi-Armed Tara (The Buddhist Savioress), Bronze, India (Bihar) — Seated Multi-Armed Tara (The Buddhist Savioress)
India (Bihar)
9th century

Plaque with Seated Dhanada-Tara and Attendant, Ivory, Sri Lanka — Plaque with Seated Dhanada-Tara and Attendant
Sri Lanka
ca. 17th century

Shrine Relief Fragment Depicting Ashtamahabhaya Tara, the Buddhist Savioress
, Wood, India (Himachal Pradesh) — Shrine Relief Fragment Depicting Ashtamahabhaya Tara, the Buddhist Savioress
India (Himachal Pradesh)
10th–11th century

White Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Ink and color on palm leaf, India (Bihar or West Bengal) — White Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
India (Bihar or West Bengal)
12th century

Green Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Ink and color on palm leaf, India (Bihar or West Bengal) — Green Tara, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
India (Bihar or West Bengal)
12th century

Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

White Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — White Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

"Hamza's Heroes Fight in Support of Qasim and Badi'uzzaman", Folio from a Hamzanama (The Adventures of Hamza), Shravana, Ink, opaque watercolor, and gold on cloth; mounted on paper — "Hamza's Heroes Fight in Support of Qasim and Badi'uzzaman", Folio from a Hamzanama (The Adventures of Hamza)
Multiple artists/makers
ca. 1564–69

"Assad Ibn Kariba Launches a Night Attack on the Camp of Malik Iraj", Folio from a Hamzanama (The Adventures of Hamza), Basavana, Ink, opaque watercolor, and gold on cloth; mounted on paper — "Assad Ibn Kariba Launches a Night Attack on the Camp of Malik Iraj", Folio from a Hamzanama (The Adventures of Hamza)
Multiple artists/makers
ca. 1564–69