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Showing 3,934 results for Teodoro Matteini
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Angelica lying across the lap of Medoro and writes their names on a tree trunk, Giovanni Folo Italian, Engraving
Angelica lying across the lap of Medoro and writes their names on a tree trunk
Giovanni Folo
Teodoro Matteini
1784–1836
Christ crucified on the cross, a skull at the base, buildings in the background, after Reni, Giovanni Volpato Italian, Engraving
Christ crucified on the cross, a skull at the base, buildings in the background, after Reni
Multiple artists/makers
ca. 1770–1803
The Last Supper, Raphael Morghen Italian, Engraving
The Last Supper
Multiple artists/makers
1800
Francesco Sassetti (1421–1490) and His Son Teodoro, Domenico Ghirlandaio (Domenico Bigordi) Italian, Tempera on wood
Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi)
ca. 1488
Head of a young man looking upwards; after Giovanni Battista Piazzetta, Teodoro Viero Italian, Engraving, printed in brown ink
Head of a young man looking upwards; after Giovanni Battista Piazzetta
Teodoro Viero
Giovanni Battista Piazzetta
1774
Allegorical Figures of the Four Continents, Teodoro Viero Italian, Pen and brown ink, with brush and brown wash
Allegorical Figures of the Four Continents
Teodoro Viero
1783
The Virgin appearing to San Filippo Neri, Teodoro Viero Italian, Etching and engraving
The Virgin appearing to San Filippo Neri
Multiple artists/makers
1760–1819
Design for an Ornamental Initial: B, Teodoro della Porta Italian, Pen and brown ink, brown wash, over black chalk on blue paper
Design for an Ornamental Initial: B
Teodoro della Porta
1567–1638
Different ages in the life of a peasant woman
Teodoro Viero
Pio Piatti
ca. 1760–1819
Art in Washington and its Afro-American presence : 1940-1970, Keith Morrison Jamaican
Art in Washington and its Afro-American presence : 1940-1970
Keith Morrison
Washington Project for the Arts
1985
Reclining female figure, Bronze, on a later wood base, Italian, probably Rome
Reclining female figure
Italian, probably Rome
mid-16th century
Venus and Adonis, Giorgio Ghisi Italian, Engraving
Venus and Adonis
Giorgio Ghisi
Teodoro Ghisi
ca. 1570
Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background, Giorgio Ghisi Italian, Engraving
Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background
Giorgio Ghisi
Teodoro Ghisi
ca. 1570
Venus and Adonis, Giorgio Ghisi Italian, Engraving
Venus and Adonis
Giorgio Ghisi
Teodoro Ghisi
ca. 1570
View of the Palatine Hill and the Temple of Romulus, Jean Barbault French, Black and white chalk
View of the Palatine Hill and the Temple of Romulus
Jean Barbault
1750
The Virgin and Child in Glory Adored by Saints Catherine and Lucy, Dirck Hendricksz., called Centen, also called Teodoro d'Errico Netherlandish, Black chalk, pen and brown ink, brush and brown wash, heightened with white chalk
The Virgin and Child in Glory Adored by Saints Catherine and Lucy
Dirck Hendricksz., called Centen, also called Teodoro d'Errico
mid-16th–early 17th century
Isolario Veneto
Antonio Maria Visentini
Teodoro Viero
ca. 1700–1800
Broadside with 30 scenes relating the story of Don Simon and his son Teodoro
José Noguera
Juan Llorens
ca. 1855–70
Plate 7: A woman with a basket of pears; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, Giovanni Cattini Italian, Etching
Plate 7: A woman with a basket of pears; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 1: Pensive man resting his head on his hand, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 1: Pensive man resting his head on his hand, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 10: Old woman with a rosary and a boy counting coins, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 10: Old woman with a rosary and a boy counting coins, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 4: Boy with a lace collar holding a piece of fruit in his hands, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 4: Boy with a lace collar holding a piece of fruit in his hands, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 8: Man in a hat reading a book with a magnifying glass; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, Giovanni Cattini Italian, Etching
Plate 8: Man in a hat reading a book with a magnifying glass; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 9: A youth playing the recorder while a man to the left holds up a music book, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 9: A youth playing the recorder while a man to the left holds up a music book, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 4: Boy with a lace collar holding a piece of fruit in his hands; from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 4: Boy with a lace collar holding a piece of fruit in his hands; from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 3: Boy with a hat touching the face of a girl, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 3: Boy with a hat touching the face of a girl, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Exhibition of work by Negro artists, Harmon Foundation
Exhibition of work by Negro artists
Harmon Foundation
1933
The Patron Saints of the Crotta Family
Multiple artists/makers
Componimenti Poetica di varii autori in lode di Venezia Raccolta nell'Ingresso di sua eccelenzia il Signore Alessandro Albrizzi alla dignità di Procuratore di San Marco
Multiple artists/makers
1792
The Patron Saints of the Crotta Family
Multiple artists/makers
A corner of the Forum Romanum, with the Temple of Castor and Pollux, and S. Maria Liberatrice in foreground left, S. Teodoro in middle distance, and Monte Aventino in the distance (Veduta del Sito ov'era l'antico Foro Romano)
Giovanni Battista Piranesi
ca. 1756
A corner of the Forum Romanum, with the Temple of Castor and Pollux, and S. Maria Liberatrice in foreground left, S. Teodoro in middle distance, and Monte Aventino in the distance (Veduta del sito ov'era l'antico Foro Romano), from "Vedute di Roma"
Giovanni Battista Piranesi
ca. 1756
Madonna and Child, Simone Martini Italian, Tempera on wood, gold ground
Madonna and Child
Simone Martini
ca. 1326
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82
The Forest in Winter at Sunset, Théodore Rousseau French, Oil on canvas
The Forest in Winter at Sunset
Théodore Rousseau
ca. 1846–67
Saint Andrew, Simone Martini Italian, Tempera on wood, gold ground
Saint Andrew
Simone Martini
ca. 1326
Saint Ansanus, Simone Martini Italian, Tempera on wood, gold ground
Saint Ansanus
Simone Martini
ca. 1326
Psyche, Mastini, Onyx and gold, Italian
Psyche
Mastini
first half 19th century