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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 85 results for Thomassin
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Figures françoises et comiques nouvellement inventées par M. Watteau; Figures de modes dessinées et gravées à l'eau forte par Watteau; a terminées au buin par Thomassin le fils
Antoine Watteau
1710?–?1720
Le Parisien, from Le Moniteur de la Mode, no. 7
Alexandre Lacauchie
July 1850
Violin Bow
Stamped: Gand & Bernardel (prob. Claude Thomassin)
late 19th century
The Virgin in glory standing on a cloud surrounded by her attributes, after Barocci
Philippe Thomassin
1591
A seated sibyl, an angel at the left
Bartolomeo Coriolano
ca. 1640
Melancholia
Henri Simon Thomassin
ca. 1729–40
The Entombment
Philippe Thomassin
1589
The Magnificat
Henri Simon Thomassin
1724
Allegory on Melancholy, with a woman kneeling towards the left holding a skull
Henri Simon Thomassin
1729–40
Allegory on Melancholy, with a woman kneeling towards the left holding a skull
Henri Simon Thomassin
1729–40
A seated woman holding a closed fan before a drawn curtain, a tree and sky beyond
Henri Simon Thomassin
ca. 1710–41
Allegorical thesis print with various figures, set in an architectural structure
Philippe Thomassin
1608
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels
Philippe Thomassin
1611–12
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41
Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left
Master of the Die
1530–60
Dance of the Muses, with Apollo at center and a musician at each end
Philippe Thomassin
1615
The victory of Scipio over Syphax
Master of the Die
1530–60
The Triumph of Scipio who rides on a horse followed by captured slaves
Master of the Die
1530–60
Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left
Master of the Die
1530–60
Recueil des Figures, Groupes, Thermes, Fontaines, Vases, et autres Ornemens... dans le Château et Parc de Versailles
Simon Thomassin
1694
A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90
A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90
Design for an Ornamental Bowl with the Battle of the Triton and the arms of Joannes Vitiello
Philippe Thomassin
ca. 1617–19
The Rape of Ganymede
Anonymous
1542–60
Esculapius (Esculapius in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Marsias (Marsias apud nobile quende), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Comodus (Comodus in aedibus Card. Farnesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Orpheus (Orpheus in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Apollo (Apollo in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Aeneas carrying Anchises on his shoulders while Troy burns in the background
Master of the Die
1530–60
Aeneas carrying Anchises on his shoulders while Troy burns in the background
Master of the Die
1530–60
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'
Master of the Die
1530–60