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Showing 3,720 results for Tommaso Fiorentino (Tommaso di Stefano Lunetti)

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Portrait of a Man, Tommaso Fiorentino (Tommaso di Stefano Lunetti) Italian, Oil on wood — Portrait of a Man
Tommaso Fiorentino (Tommaso di Stefano Lunetti)
1521

Man of Sorrows, Niccolò di Tommaso Italian, Fresco transferred to canvas, Italian — Man of Sorrows
Niccolò di Tommaso
ca. 1370

The Betrayal of Christ, Bartolomeo di Tommaso Italian, Tempera on wood — The Betrayal of Christ
Bartolomeo di Tommaso
ca. 1445–50

The Lamentation and the Entombment, Bartolomeo di Tommaso Italian, Tempera on wood, gold ground — The Lamentation and the Entombment
Bartolomeo di Tommaso
ca. 1445–50

Boy holding a dog, Tommaso Fiamberti, Marble (Verde di Prato), Italian, Florence — Boy holding a dog
Tommaso Fiamberti
late 15th century

Frescoes from the Villa Stati-Mattei, Baldassarre Tommaso Peruzzi Italian, Fresco, transferred to canvas — Frescoes from the Villa Stati-Mattei
Baldassarre Tommaso Peruzzi

Portrait of an Olivetan Monk, Baldassarre Tommaso Peruzzi Italian, Oil on canvas — Portrait of an Olivetan Monk
Baldassarre Tommaso Peruzzi

Scipio Africanus, Mattia di Nanni di Stefano, Poplar, bog oak and other wood inlay, rosewood, tin, bone, traces of green coloring, Italian, Siena — Scipio Africanus
Mattia di Nanni di Stefano
ca. 1425–30

In Honor of the Poet Metastasio

Tommaso Mercandetti

19th century

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

The Journey of the Magi, Sassetta (Stefano di Giovanni) Italian, Tempera and gold on wood — The Journey of the Magi
Sassetta (Stefano di Giovanni)
ca. 1433–35

Madonna and Child with Angels, Sassetta (Stefano di Giovanni) Italian, Tempera on wood, gold ground — Madonna and Child with Angels
Sassetta (Stefano di Giovanni)
ca. 1445–50

The Annunciation, Sassetta (Stefano di Giovanni) Italian, Tempera on wood, gold ground — The Annunciation
Sassetta (Stefano di Giovanni)
ca. 1435

Madonna and Child with Six Saints, Pesellino (Francesco di Stefano) Italian, Tempera on wood, gold ground — Madonna and Child with Six Saints
Pesellino (Francesco di Stefano)
late 1440s

The Crucifixion, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Tempera on wood, gold ground — The Crucifixion
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
ca. 1400

A Hunting Scene, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil transferred to Masonite — A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500

In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), from "Les Mots en liberté futuristes", Filippo Tommaso Marinetti Italian, Letterpress — In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), from "Les Mots en liberté futuristes"
Filippo Tommaso Marinetti
Milano: Edizioni Futuriste di "Poesia"
created 1917, published 1919

A Tumultuous Assembly. Numerical Sensibility (Une Assemblée tumultueuse. Sensibilité numérique), from "Les mots en liberté futuristes", Filippo Tommaso Marinetti Italian, Letterpress — A Tumultuous Assembly. Numerical Sensibility (Une Assemblée tumultueuse. Sensibilité numérique), from "Les mots en liberté futuristes"
Filippo Tommaso Marinetti
Milano: Edizioni Futuriste di "Poesia"
1919

Madonna and Child Enthroned with Saints Peter, Bartholomew, Catherine of Alexandria, and Paul, and (below) the Nativity; left wing (top to bottom): Annunciatory Angel, Crucified Christ with the Virgin, Saints Mary Magdalen and John, and Christ as the Man of Sorrows; right wing (top to bottom): Virgin Annunciate, Saints Onophrius and Paphnutius, and Saint Onophrius Buried by Saint Paphnutius., Matteo di Pacino Italian, Tempera on wood, gold ground, Italian — Madonna and Child Enthroned with Saints Peter, Bartholomew, Catherine of Alexandria, and Paul, and (below) the Nativity; left wing (top to bottom): Annunciatory Angel, Crucified Christ with the Virgin, Saints Mary Magdalen and John, and Christ as the Man of Sorrows; right wing (top to bottom): Virgin Annunciate, Saints Onophrius and Paphnutius, and Saint Onophrius Buried by Saint Paphnutius.
Multiple artists/makers
ca. 1380–90

Last Judgment, after Michelangelo, Tommaso Piroli Italian, Ink and graphite — Last Judgment, after Michelangelo
Tommaso Piroli
Michelangelo Buonarroti
1752–1824

The Adoration of the Shepherds, Tommaso Minardi Italian, Pen and brown ink, brush and brown wash, over graphite — The Adoration of the Shepherds
Tommaso Minardi
1837

Tasso Contemplating Beauty, Tommaso Minardi Italian, Watercolor, pen and brown ink, over graphite; framing lines in pen and brown ink — Tasso Contemplating Beauty
Tommaso Minardi
1823

Seated John the Baptist with a Lamb in a Landscape, Tommaso Minardi Italian, Pen and brown ink, brush and pale brown wash — Seated John the Baptist with a Lamb in a Landscape
Tommaso Minardi
1787–1871

The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape, Tommaso Minardi Italian, Pen and brown ink, brush and pale brown wash — The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape
Tommaso Minardi
1787–1871

The Entombment, Tommaso Piroli Italian, Engraving — The Entombment
Tommaso Piroli
Caravaggio (Michelangelo Merisi)
1772–1824

Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano) Italian, Oil on wood — Portrait of a Young Man
Bronzino (Agnolo di Cosimo di Mariano)
1530s

The Adoration of the Magi, Giotto di Bondone Italian, Tempera on wood, gold ground — The Adoration of the Magi
Giotto di Bondone
possibly ca. 1320

Madonna and Child, Duccio di Buoninsegna Italian, Tempera and gold on wood — Madonna and Child
Duccio di Buoninsegna
ca. 1290–1300

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground — The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels — Adoration of the Kings
Multiple artists/makers
1525–1535

Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green — Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27

Crouching Figure of Atlas, Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, over leadpoint or black chalk — Crouching Figure of Atlas
Baldassarre Tommaso Peruzzi
1481–1536

Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini, Baldassarre Tommaso Peruzzi or workshop Italian, Pen and brown ink, over faint traces of leadpoint, or black chalk, and stylus-ruling — Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini
Baldassarre Tommaso Peruzzi
ca. 1523–27

Study for a Colonnade in Perspective, Baldassarre Tommaso Peruzzi , or workshop Italian, Pen and brown ink, over an armature of leadpoint, ruling, pin-pricks and compass work, on six fragments of paper — Study for a Colonnade in Perspective
Baldassarre Tommaso Peruzzi
ca. 1530

Design for an Elaborate Barrel-Vaulted Chapel, Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, over graphite; ruler and compass construction — Design for an Elaborate Barrel-Vaulted Chapel
Baldassarre Tommaso Peruzzi
1481–1536