デンドゥール神殿は4月26日（日）から5月8日（金）まで閉館となります。メトロポリタン美術館フィフス・アベニュー館は5月4日（月）に休館となります。

ご来館の計画
チケット
日本語
寄付するメンバーシップ
チケット
私たちはこのページをできるだけ早く翻訳するために取り組んでいます。ご理解いただきありがとうございます。

Search for Art

1-42 of 5,931 results for Tommaso Vincidor (Tommaso di Andrea)
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Adoration of the Kings
Multiple artists/makers
1525–1535
Two Putti Trying To Stop a Monkey Abducting a Child from a set of the Giochi di Putti, Giovanni da Udine (Giovanni dei Ricamatori) Italian, Wool warps, wool and silk wefts, Italian, Rome
Two Putti Trying To Stop a Monkey Abducting a Child from a set of the Giochi di Putti
Multiple artists/makers
ca. 1635
Six Putti Dancing Around a Globe and a Palm from a set of the Giochi di Putti, Giovanni da Udine (Giovanni dei Ricamatori) Italian, Wool warps, wool and silk wefts, Italian, Rome
Six Putti Dancing Around a Globe and a Palm from a set of the Giochi di Putti
Multiple artists/makers
ca. 1635
Fortitude in profile view walking toward a fire at left and leading a harnessed lion, a landscape in the background, Marco Dente Italian, Engraving
Fortitude in profile view walking toward a fire at left and leading a harnessed lion, a landscape in the background
Multiple artists/makers
ca. 1515–27
Man of Sorrows, Niccolò di Tommaso Italian, Fresco transferred to canvas, Italian
Man of Sorrows
Niccolò di Tommaso
ca. 1370
The Betrayal of Christ, Bartolomeo di Tommaso Italian, Tempera on wood
The Betrayal of Christ
Bartolomeo di Tommaso
ca. 1445–50
The Lamentation and the Entombment, Bartolomeo di Tommaso Italian, Tempera on wood, gold ground
The Lamentation and the Entombment
Bartolomeo di Tommaso
ca. 1445–50
Portrait of a Man, Tommaso Fiorentino (Tommaso di Stefano Lunetti) Italian, Oil on wood
Portrait of a Man
Tommaso Fiorentino (Tommaso di Stefano Lunetti)
1521
Boy holding a dog, Tommaso Fiamberti, Marble (Verde di Prato), Italian, Florence
Boy holding a dog
Tommaso Fiamberti
late 15th century
Tobit Burying the Dead, Andrea di Lione Italian, Oil on canvas
Tobit Burying the Dead
Andrea di Lione
1640s
Frescoes from the Villa Stati-Mattei, Baldassarre Tommaso Peruzzi Italian, Fresco, transferred to canvas
Frescoes from the Villa Stati-Mattei
Baldassarre Tommaso Peruzzi
Portrait of an Olivetan Monk, Baldassarre Tommaso Peruzzi Italian, Oil on canvas
Portrait of an Olivetan Monk
Baldassarre Tommaso Peruzzi
The Adoration of the Shepherds, Andrea Mantegna Italian, Tempera on canvas, transferred from wood
The Adoration of the Shepherds
Andrea Mantegna
shortly after 1450
ex "Kurtz" Violin, Andrea Amati Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona)
ex "Kurtz" Violin
Andrea Amati
ca. 1560
The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on wood
The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528
Julius Caesar, Andrea di Pietro di Marco Ferrucci Italian, Marble, Italian, Florence
Julius Caesar
Andrea di Pietro di Marco Ferrucci
ca. 1512–14
The Crucifixion, Andrea di Cione (Orcagna) , and workshop Italian, Tempera on wood, gold ground
The Crucifixion
Andrea di Cione (Orcagna)
ca. 1365
In Honor of the Poet Metastasio
Tommaso Mercandetti
19th century
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455
A Hunting Scene, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil transferred to Masonite
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500
In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), from "Les Mots en liberté futuristes", Filippo Tommaso Marinetti Italian, Letterpress
In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), from "Les Mots en liberté futuristes"
Filippo Tommaso Marinetti
Milano: Edizioni Futuriste di "Poesia"
created 1917, published 1919
A Tumultuous Assembly. Numerical Sensibility (Une Assemblée tumultueuse. Sensibilité numérique), from "Les mots en liberté futuristes", Filippo Tommaso Marinetti Italian, Letterpress
A Tumultuous Assembly. Numerical Sensibility (Une Assemblée tumultueuse. Sensibilité numérique), from "Les mots en liberté futuristes"
Filippo Tommaso Marinetti
Milano: Edizioni Futuriste di "Poesia"
1919
Last Judgment, after Michelangelo, Tommaso Piroli Italian, Ink and graphite
Last Judgment, after Michelangelo
Tommaso Piroli
Michelangelo Buonarroti
1752–1824
The Adoration of the Shepherds, Tommaso Minardi Italian, Pen and brown ink, brush and brown wash, over graphite
The Adoration of the Shepherds
Tommaso Minardi
1837
Tasso Contemplating Beauty, Tommaso Minardi Italian, Watercolor, pen and brown ink, over graphite; framing lines in pen and brown ink
Tasso Contemplating Beauty
Tommaso Minardi
1823
Seated John the Baptist with a Lamb in a Landscape, Tommaso Minardi Italian, Pen and brown ink, brush and pale brown wash
Seated John the Baptist with a Lamb in a Landscape
Tommaso Minardi
1787–1871
The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape, Tommaso Minardi Italian, Pen and brown ink, brush and pale brown wash
The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape
Tommaso Minardi
1787–1871
The Entombment, Tommaso Piroli Italian, Engraving
The Entombment
Tommaso Piroli
Caravaggio (Michelangelo Merisi)
1772–1824
Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano) Italian, Oil on wood
Portrait of a Young Man
Bronzino (Agnolo di Cosimo di Mariano)
1530s
Virgin and Child, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence
Virgin and Child
Andrea della Robbia
ca. 1470–75
Standing boy, Andrea Mantegna Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
Standing boy
Andrea Mantegna
Andrea del Verrocchio
late 15th–early 16th century
The Adoration of the Magi, Giotto di Bondone Italian, Tempera on wood, gold ground
The Adoration of the Magi
Giotto di Bondone
possibly ca. 1320
Madonna and Child, Duccio di Buoninsegna Italian, Tempera and gold on wood
Madonna and Child
Duccio di Buoninsegna
ca. 1290–1300
The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian
The Adoration of the Shepherds
Bartolo di Fredi
1374
The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood
The Adoration of the Magi
Bartolo di Fredi
ca. 1390
The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground
The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380
Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground
Madonna and Child
Benvenuto di Giovanni
ca. 1470
The Crucifixion, Andrea di Bartolo Italian, Tempera on wood, gold ground
The Crucifixion
Andrea di Bartolo
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27
Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano Italian, Copper alloy with a thick black varnish patina.
Altar candlestick (pair with 1975.1.1383)
Andrea di Alessandri, called Il Bresciano
ca. 1565