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1-42 of 452 results for Uoya Eikichi
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“Azuma Bridge from Komagatadō Temple,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Komagatadō Azumabashi) , Utagawa Hiroshige Japanese, Woodblock print; ink and color on paper, Japan

“Azuma Bridge from Komagatadō Temple,” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei, Komagatadō Azumabashi)

Utagawa Hiroshige
Uoya Eikichi
1857
Hatsune Riding Ground, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 名所江戸百景), Utagawa Hiroshige 歌川広重 Japanese, Polychrome woodblock printed book; ink and color on paper, Japan
Hatsune Riding Ground, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei) 名所江戸百景)
Utagawa Hiroshige 歌川広重
Uoya Eikichi 魚屋栄吉
1856–58
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas
Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800
Woman with a Cat, Kikuchi Keigetsu Japanese, Woodblock print; ink and color on paper, Japan
Woman with a Cat
Kikuchi Keigetsu
ca. 1910
Cuttle Fish, Kikuchi Yōsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Cuttle Fish
Kikuchi Yōsai
early 19th century
Cherry Flowers, Kikuchi Yōsai Japanese, Woodblock print (surimono); ink and color on paper, Japan
Cherry Flowers
Kikuchi Yōsai
19th century
Eaves Decorated with Irises for the Tango Festival, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan
Eaves Decorated with Irises for the Tango Festival
Kikuchi Yōsai
dated 1867
Maiko, Kikuchi Keigetsu Japanese, Hanging scroll; ink and color on silk, Japan
Maiko
Kikuchi Keigetsu
mid 1920s
Purifying Sound (Seirai), Kikuchi Keigetsu Japanese, Hanging scroll; ink and color on silk, Japan
Purifying Sound (Seirai)
Kikuchi Keigetsu
ca. 1915
Lady Iga, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan
Lady Iga
Kikuchi Yōsai
1860s
Potsdam 6 Oct. - East Berlin 7 Oct., Seiichi Furuya Japanese, Chromogenic print
Potsdam 6 Oct. - East Berlin 7 Oct.
Seiichi Furuya
1985
Regensberg, Seiichi Furuya Japanese, Gelatin silver print
Regensberg
Seiichi Furuya
1988
East Berlin, Seiichi Furuya Japanese, Chromogenic print
East Berlin
Seiichi Furuya
1986
Graz, Seiichi Furuya Japanese, Chromogenic print
Graz
Seiichi Furuya
1997
Izu, Seiichi Furuya Japanese, Chromogenic print
Izu
Seiichi Furuya
1978
Vienna, Seiichi Furuya Japanese, Chromogenic print
Vienna
Seiichi Furuya
1982
East Berlin, Seiichi Furuya Japanese, Chromogenic print
East Berlin
Seiichi Furuya
1985
Two Carp, Kikuchi Yōsai Japanese, Hanging scroll; ink and color on silk, Japan
Two Carp
Kikuchi Yōsai
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
Metaphoto (No. 210), Alan Kikuchi-Yngojo American, Instant dye diffusion transfer print (Polaroid) with attached media
Metaphoto (No. 210)
Alan Kikuchi-Yngojo
1981
Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas
Don Bernardo de Iriarte (1735–1814)
Goya
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya
María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas
María Luisa of Parma (1751–1819), Queen of Spain
Goya
A City on a Rock, Goya Spanish, Oil on canvas
A City on a Rock
Goya
Poem: At Perry's Grave
Baron Eiichi Shibusawa
Memoires 1998 III
Seiichi Furuya
1998
Anthology of Japanese and Chinese Poems (Wakan rōeishū) with Underpainting of Arrowroot Vines, Konoe Nobuhiro Japanese, Six-panel folding screen; ink and color on gilt paper, Japan
Anthology of Japanese and Chinese Poems (Wakan rōeishū) with Underpainting of Arrowroot Vines
Konoe Nobuhiro
Hasegawa Sōya
early 17th century
Taiko, Nambuya Keikichi, Tokyo, Asakuja, Kamejima-cho Japanese, Wood, hide, metal, Japanese
Taiko
Nambuya Keikichi, Tokyo, Asakuja, Kamejima-cho
19th century
The Chinese Poet Pan Lang on a Donkey, Kano Kōya Japanese, Hanging scroll; ink on paper, Japan
The Chinese Poet Pan Lang on a Donkey
Kano Kōya
17th century
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Blade and Mounting for a Short Sword (<i>Wakizashi</i>), Kawachino Kamifujiwara Rai[...] Japanese, Steel, wood, lacquer, gold, abalone shell, iron, silver, copper-gold alloy (<i>shakudō</i>), copper, silk, Japanese
Blade and Mounting for a Short Sword (Wakizashi)
Multiple artists/makers
blade, 18th century; mounting, 18th–early 19th century