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    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 234 results for Week End
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Shoes
Week End
1955–60
Evening dress
Weeks
1910
Model Ointment Jar from a Foundation Deposit
ca. 1479–1425 B.C.
Model Jar from a Foundation Deposit
ca. 1479–1425 B.C.
Bringing Down Marble from the Quarries to Carrara
John Singer Sargent
1911
Gertrude Stein
Pablo Picasso
1905–6
Settee
Andrei Nikiforovich Voronikhin
made between early March and end of April 1803
Processional Cross
Byzantine
ca. 1050
Mechanical table (Table mécanique)
Jean Henri Riesener
1778
Kitchen Corner, Tenant Farmhouse, Hale County, Alabama
Walker Evans
1936
In the Season (recto); The Goldsmiths at Dinner (recto); The West End Dog-Fancier (recto); A Wedding at the Abbey (recto); The Fly-Paper Merchant (recto); The Bull's-Eye (verso), from "London: A Pilgrimage"
Paul-Parcel Jonnard
August 31, 1872
Buddha Preaching the First Sermon at Sarnath
India (Bihar, probably Nalanda)
11th century
Cowboy-G-Men, from the Bread End Labels series (D290) issued by Taystee Bread
Taystee Bread
1950s
A Night Scout in the Southwest – Surprise of an Outpost, and Survey of the Rebel Guns (from "Harper's Weekly")
Thomas Nast
April 4, 1863
Grand Review of the Army of the Potomac – Drawn by Mr. Thomas Nast (from "Harper's Weekly")
Thomas Nast
October 10, 1863
The Metropolitan Museum of Art, in Central Park, New York, from "Harper's Weekly"
Josiah Wood Whymper
April 10, 1880
"What Are You Laughing At? To the Victor Belong the Spoils" (from "Harper's Weekly," vol. 15, p. 1097)
Thomas Nast
November 25, 1871
The Metropolitan Museum of Art, in Central Park, New York, from "Harper's Weekly"
Josiah Wood Whymper
April 10, 1880
The Metropolitan Museum of Art, in Central Park, New York, from "Harper's Weekly"
Josiah Wood Whymper
April 10, 1880
Illustrated London Almanack
Jabez Hogg
1886–91
The Cloisters Cross
British
ca. 1150–60
The Annunciation
Hans Memling
ca. 1465–70
Documents concerning Parade: [Cocteau's handwritten notes for Parade captioned "Le Prestidigitateur chinois"]
Jean Cocteau
1916–17
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro du Prestidigitateur chinois"]
Jean Cocteau
1916–17
Documents concerning Parade: [Handwritten letter, from Massine to Cocteau, dated January 21]
Léonide Massine
1916–17
Documents concerning Parade: [Postcard from Satie to Cocteau (2)]
Erik Satie
1916–17
Documents concerning Parade: [Cocteau's handwritten notes for Parade captioned "L'acrobate"]
Jean Cocteau
1916–17
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de la petite fille americaine"]
Jean Cocteau
1916–17
Documents concerning Parade: [Postcard from Satie to Cocteau, dated May 2, 1917]
Erik Satie
1916–17
Documents concerning Parade: [Handwritten letter from Cocteau, undated (1)]
Jean Cocteau
1916–17
Documents concerning Parade: [Postcard from Satie to Cocteau (1)]
Erik Satie
1916–17
Documents concerning Parade: [Handwritten letter, from Picasso to Cocteau, dated October 6, 1916]
Pablo Picasso
1916–17
Documents concerning Parade: [Postcard from Satie to Cocteau, undated]
Erik Satie
1916–17
Documents concerning Parade: [Postcard from Satie to Cocteau (3)]
Erik Satie
1916–17
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de l'acrobate"]
Jean Cocteau
1916–17
Documents concerning Parade: ["Etudes pour Parade": Cocteau's handwritten notes]
Jean Cocteau
1916–17
Documents concerning Parade: [Postcard from Satie to Cocteau (4)]
Erik Satie
1916–17
Documents concerning Parade: [Cocteau's handwritten notes for Parade captioned "La Petite Fille Americaine"]
Jean Cocteau
1916–17
Documents concerning Parade: [Postcard from Satie to Cocteau (5)]
Erik Satie
1916–17
Documents concerning Parade: [Letter from Picasso to Cocteau]
Pablo Picasso
1916–17