Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Willem van Nieulandt II

Sort by:

View of Rome, Willem van Nieulandt II Flemish, Pen and brown ink, brush and brown and gray wash — View of Rome
Willem van Nieulandt II
n.d.

Variae antiquitates Romanae, sive ruinae, ad vivum delineatae

Multiple artists/makers

1618

Monumenta haec et venerandae antiquitatis Romanae vestigia

Willem van Nieulandt II

ca. 1605

Dutch Ships at Anchor with a Yacht Lying Head to the Wind, Willem van de Velde II Dutch, Pencil and brush and gray ink and gray wash. — Dutch Ships at Anchor with a Yacht Lying Head to the Wind
Willem van de Velde II
1664

A Dutch Fleet Lying at Anchor, Willem van de Velde II Dutch, Pencil, pen and brown ink, brush and gray ink over gray wash — A Dutch Fleet Lying at Anchor
Willem van de Velde II
ca. 1664

Entrance to a Dutch Port, Willem van de Velde II Dutch, Oil on canvas — Entrance to a Dutch Port
Willem van de Velde II
ca. 1665

Commode, Bernard II van Risenburgh, Oak veneered with panels of Chinese Coromandel lacquer and European black-lacquered veneer; gilt-bronze mounts; brèche d'Alep marble top, French, Paris — Commode
Bernard II van Risenburgh
ca. 1740–45

Writing table (table à écrire), Bernard II van Risenburgh, Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet, French, Paris — Writing table (table à écrire)
Bernard II van Risenburgh
ca. 1755

Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris — Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49

Folding card table (table de jeu brisée en angle), Bernard II van Risenburgh, Oak veneered with tulipwood, purplewood, kingwood, satiné wood, walnut; gilt bronze; modern silk velvet, French, Paris — Folding card table (table de jeu brisée en angle)
Bernard II van Risenburgh
ca. 1755–65

Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris — Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49

Work and writing table (table en chiffonière), Bernard II van Risenburgh, Oak and beech veneered with tulipwood and purplewood; gilt bronze, blue moiré silk, French — Work and writing table (table en chiffonière)
Bernard II van Risenburgh
ca. 1760

Bedside table (table de nuit), Bernard II van Risenburgh, Oak veneered with tulipwood and kingwood; gilt-bronze mounts; Sarrancolin marble; silk moiré drawer lining (not original), French, Paris — Bedside table (table de nuit)
Bernard II van Risenburgh
ca. 1750–56

Flowers in a Blue Vase, Willem van Leen Dutch, Oil on canvas, Dutch — Flowers in a Blue Vase
Willem van Leen
18th century

Stove, David II Pfau, Faience (tin-glazed earthenware), Swiss, Winterthur — Stove
Multiple artists/makers
ca. 1684–85

Easter Monday, Willem de Kooning American, born The Netherlands, Oil and newspaper transfer on canvas — Easter Monday
Willem de Kooning
1955–56

Allegory of Justice (Sanctity of the Law) with a court scene depicting a man being pardoned by a judge, plate XII from "Thronus Justitiae, tredecim pulcherrimus tabulis...", Willem van Swanenburg Netherlandish, Engraving — Allegory of Justice (Sanctity of the Law) with a court scene depicting a man being pardoned by a judge, plate XII from "Thronus Justitiae, tredecim pulcherrimus tabulis..."
Multiple artists/makers
1605

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710

The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood — The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38

Wall plaque, Jan Willem Mijnlieff Dutch, Glazed earthenware, Dutch, Utrecht — Wall plaque
Jan Willem Mijnlieff
Fayence en Tegelfabriek Holland
ca. 1900

Antinous Belvedere, Willem Danielsz van Tetrode Netherlandish, Bronze, Dutch — Antinous Belvedere
Willem Danielsz van Tetrode
19th–20th century copy after third quarter 16th century (possibly 1560)

Scheveningen Fisherman, Willem van den Berg Dutch, Black and brown fabricated chalk on paper — Scheveningen Fisherman
Willem van den Berg
1932

Still Life with Oysters, a Silver Tazza, and Glassware, Willem Claesz Heda Dutch, Oil on wood — Still Life with Oysters, a Silver Tazza, and Glassware
Willem Claesz Heda
1635

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh Dutch, Oil on canvas — Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
Vincent van Gogh
1887

The Crucifixion with Saints and a Donor, Joos van Cleve and a collaborator Netherlandish, Oil on wood — The Crucifixion with Saints and a Donor
Joos van Cleve
ca. 1520

Queen Henrietta Maria, Anthony van Dyck Flemish, Oil on canvas — Queen Henrietta Maria
Anthony van Dyck
1636

Irises, Vincent van Gogh Dutch, Oil on canvas — Irises
Vincent van Gogh
1890

Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas — Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622

Wheat Field with Cypresses, Vincent van Gogh Dutch, Oil on canvas — Wheat Field with Cypresses
Vincent van Gogh
1889

Wheat Fields, Jacob van Ruisdael Dutch, Oil on canvas — Wheat Fields
Jacob van Ruisdael
ca. 1670

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

Little Denise (Denise Maréchal, later Madame Georges Béart, 1883–1956), Theo Van Rysselberghe Belgian, Oil on canvas — Little Denise (Denise Maréchal, later Madame Georges Béart, 1883–1956)
Theo Van Rysselberghe
1889

Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, soft-paste porcelain, gilt bronze, French, Paris and Sèvres — Eating and work table (one of a pair)
Multiple artists/makers
Trays: ca. 1761; table: ca. 1761–63

Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, gilt bronze, soft-paste porcelain, French, Paris and Sèvres and British, Stoke-upon-Trent — Eating and work table (one of a pair)
Multiple artists/makers
ca. 1763, lower tray after 1851

A Fleet, Willem van de Velde II Dutch, Black chalk, pen and brown ink, gray wash. — A Fleet
Willem van de Velde II
mid-17th–early 18th century

Studies of Ships and Boats, Willem van de Velde II Dutch, Pen and black ink — Studies of Ships and Boats
Willem van de Velde II
mid-17th–early 18th century

Coast Scene, Willem van de Velde II Dutch, Graphite, brush and gray wash; framing lines in graphite and pen and brown ink — Coast Scene
Willem van de Velde II
mid-17th–early 18th century

The French Vessel "Courtisan", Willem van de Velde II Dutch, Pen and black ink, brush and gray wash over black chalk — The French Vessel "Courtisan"
Willem van de Velde II
mid-17th–early 18th century

Sea Fight, Willem van de Velde II Dutch, Pen and brush and brown and gray ink; traces of a framing line in black chalk — Sea Fight
Willem van de Velde II
mid-17th–early 18th century

Boats Becalmed, Willem van de Velde II Dutch, Brush and gray wash, graphite — Boats Becalmed
Willem van de Velde II
mid-17th–early 18th century