Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for William Loring Andrews

Sort by:

Mrs. William Loring Andrews, George Augustus Baker Jr., Oil on canvas, American — Mrs. William Loring Andrews
George Augustus Baker Jr.
1861–63

The Treatyse of Fysshynge wyth an Angle from the book of Saint Albans, Juliana Berners British, Illustrated book, New York, C. Scribner's Sons, 1903 — The Treatyse of Fysshynge wyth an Angle from the book of Saint Albans
Juliana Berners
William Loring Andrews
1903

Paul Revere & His Engravings

Multiple artists/makers

1901

Pratiqve de la Guerre. Contenant l'usage de l'Artillerie, Bombes & Mortiers, Feux Artificiels & Petards, Sappes & Mines, Ponts & Pontons, Tranchees & Travaux, auec l'ordre des Assauts aux Breches. Ensemble vn traite des Feux de Ioye/par le sievr de Malthvs…, Francis Malthus, Illustrated book — Pratiqve de la Guerre. Contenant l'usage de l'Artillerie, Bombes & Mortiers, Feux Artificiels & Petards, Sappes & Mines, Ponts & Pontons, Tranchees & Travaux, auec l'ordre des Assauts aux Breches. Ensemble vn traite des Feux de Ioye/par le sievr de Malthvs…
Francis Malthus
1650

Athanasii Kircheri e Soc. Jesu China monumentis: qua sacris qua profanis, nec non variis naturae & artis spectaculis, aliarumque rerum memorabilium argumentis illustrata, Athanasius Kircher German, Printed book — Athanasii Kircheri e Soc. Jesu China monumentis: qua sacris qua profanis, nec non variis naturae & artis spectaculis, aliarumque rerum memorabilium argumentis illustrata
Athanasius Kircher
1667

Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques : avec leur explication, Denis Diderot French — Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques : avec leur explication
Multiple artists/makers
1762–72

The Parthenon, Vincent G. Stiepevich American, Oil on canvas, American — The Parthenon
Vincent G. Stiepevich
1880

Clock, Dubuc, Gilt bronze — Clock
Dubuc
1815–20

Flageolet in G, De Haze? Dutch or Belgian, Ivory, Dutch or Belgian — Flageolet in G
De Haze?
17th century

Bellpull, Silk, French — Bellpull
French
1804–14

Athanasii Kircheri e Soc. Jesu China monumentis : quà sacris quà profanis, nec non variis naturae & artis spectaculis, aliarumque rerum memorabilium argumentis illustrata

Athanasius Kircher

1667

Benny Andrews : portraits : a real person before the eyes, Benny Andrews American — Benny Andrews : portraits : a real person before the eyes
Benny Andrews
Michael Rosenfeld Gallery
2020

North American Scenery, Being Selections From C.J. Way's Studies, 1863-64

William Notman

Charles Jones Way

1860s

The Declaration of Independence, July 4, 1776, Waterman Lilly Ormsby American, Engraving — The Declaration of Independence, July 4, 1776
Multiple artists/makers
1876

The New Pond Near Creys (Isère), Adolphe Appian French, Etching; third state of four — The New Pond Near Creys (Isère)
Adolphe Appian
1864

The Village of Chanaz (Savoie), Adolphe Appian French, Etching; second state of three — The Village of Chanaz (Savoie)
Adolphe Appian
Alfred Cadart
1866

Women Washing, Charles Jacque French, Etching — Women Washing
Charles Jacque
ca. 1845–50

The Smokers, after Ostade, Adriaen van Ostade Dutch, Etching — The Smokers, after Ostade
Multiple artists/makers
19th century

Bibi Lalouette, James McNeill Whistler American, Etching and drypoint, printed in black ink on thin laid fibrous ivory Japan paper; second state of two, with the scratch (Glasgow) — Bibi Lalouette
James McNeill Whistler
1859

Juvenile Tricks (Liber Studiorum, part V, plate 22), Joseph Mallord William Turner British, Etching and mezzotint; first state — Juvenile Tricks (Liber Studiorum, part V, plate 22)
Joseph Mallord William Turner
William Say
January 1, 1811

Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), Joseph Mallord William Turner British, Etching and mezzotint; second state of four — Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24)
Joseph Mallord William Turner
William Say
January 1, 1811

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), Joseph Mallord William Turner British, Etching and mezzotint; first state of seven (Finberg) — Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53)
Joseph Mallord William Turner
William Say
May 12, 1814

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17), Joseph Mallord William Turner British, Etching and mezzotint; third state of three (Finberg) — The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17)
Joseph Mallord William Turner
Charles Turner
March 29, 1809

Young Anglers (Liber Studiorum, part VII, plate 32), Joseph Mallord William Turner British, Etching and mezzotint; second state of three — Young Anglers (Liber Studiorum, part VII, plate 32)
Joseph Mallord William Turner
Robert Dunkarton
June 1, 1811

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), Joseph Mallord William Turner British, Etching and mezzotint; fourth state of four — From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)
Multiple artists/makers
June 1811

Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), Joseph Mallord William Turner British, Etching, aquatint and mezzotint; second state of four — Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)
Joseph Mallord William Turner
February 11, 1812

The Children of Nathan Starr, Ambrose Andrews American, Oil on canvas, American — The Children of Nathan Starr
Ambrose Andrews
1835

Weary, James McNeill Whistler American, Drypoint, printed in black ink on tissue weight ivory Japan; fourth state of six (Glasgow) — Weary
James McNeill Whistler
1863

Soupe à trois sous, James McNeill Whistler American, Etching, printed in black ink on fine cream laid paper; only state (Glasgow) — Soupe à trois sous
James McNeill Whistler
1859

The Music Room, James McNeill Whistler American, Etching and drypoint, printed in black ink on medium weight cream laid paper; first state of four (Glasgow) — The Music Room
Multiple artists/makers
1859

Bibi Valentin, James McNeill Whistler American, Etching and drypoint, printed in black ink on medium weight dark ivory Japan; second state of two, from the damaged plate (Glasgow) — Bibi Valentin
James McNeill Whistler
1859

Longshore Men, James McNeill Whistler American, Etching and drypoint, printed in black ink on medium weight buff Japan paper; third state of four (Glasgow) — Longshore Men
James McNeill Whistler
1859

Greenwich Park, James McNeill Whistler American, Etching and drypoint, printed in black ink on medium weight off-white laid paper; third state of three (Glasgow) — Greenwich Park
James McNeill Whistler
1859

Fumette, James McNeill Whistler American, Etching, printed in black ink on fine ivory laid paper; fifth state of five (Glasgow) — Fumette
James McNeill Whistler
1858

The Rag Gatherers (Rag Pickers, Quartier Mouffetard, Paris), James McNeill Whistler American, Etching and drypoint, printed in black ink on ivory laid paper; fifth state of five (Glasgow); removed from a book — The Rag Gatherers (Rag Pickers, Quartier Mouffetard, Paris)
James McNeill Whistler
1858

Vauxhall Bridge, James McNeill Whistler American, Etching and drypoint, printed in black ink on fine buff fibrous laid Japan; second state of two (Glasgow) — Vauxhall Bridge
James McNeill Whistler
1861

Amsterdam, from the Tolhuis, James McNeill Whistler American, Etching and drypoint, printed in black ink on ivory laid paper; third state of eight (Glasgow) — Amsterdam, from the Tolhuis
James McNeill Whistler
1863

The Title to the French Set, James McNeill Whistler American, Etching, printed in black ink on tan chine on off-white wove paper (chine collé); only state (Glasgow) — The Title to the French Set
James McNeill Whistler
Sir Francis Seymour Haden
1858

La Mère Gérard, James McNeill Whistler American, Etching, printed in black ink on antique cream laid paper; fourth state of four (Glasgow) — La Mère Gérard
James McNeill Whistler
1858

The Unsafe Tenement (The Old Farm), James McNeill Whistler American, Etching, printed in black ink on tan (darkened) chine on white wove paper (chine collé); third state of four (Glasgow) — The Unsafe Tenement (The Old Farm)
James McNeill Whistler
1858