Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for William Foster

Sort by:

Five silhouettes to the right

William Foster

1770–1812

Wine Cup, Joseph Foster American, Silver, American — Wine Cup
Joseph Foster
ca. 1800

Wine Cup, Joseph Foster American, Silver, American — Wine Cup
Joseph Foster
ca. 1800

Side Chair, Foster & Lee American, Rosewood, American — Side Chair
Foster & Lee
1858

The New York and London Packet Ship "Victoria," 1000 Tons, Entering New York Harbour

Multiple artists/makers

1843

Teapot, George B. Foster American, Silver, American — Teapot
George B. Foster
1840–50

Creamer, George B. Foster American, Silver, American — Creamer
George B. Foster
1840–50

Sugar Bowl, George B. Foster American, Silver, American — Sugar Bowl
George B. Foster
1840–50

In the Connecticut Hills, Ben Foster American, Oil on canvas, American — In the Connecticut Hills
Ben Foster
by 1914

Medal cabinet, William Vile British, Mahogany with carved and applied decoration, British — Medal cabinet
William Vile
John Cobb
1760–61

"Nomos" Table, Sir Norman Foster British, Glass, stainless steel, plastics (rubber, polyamide/nylon, polyurethane ether) — "Nomos" Table
Sir Norman Foster
Tecno S.p.A.
1987

Chief Quartermaster with Assistants, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Chief Quartermaster with Assistants, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

Clerks of 2nd Quartermaster, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Clerks of 2nd Quartermaster, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

Chief Quartermaster Office, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Chief Quartermaster Office, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

White House, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — White House, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

Provost Marshall’s Office and Prison, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Provost Marshall’s Office and Prison, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

Mess House, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Mess House, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

Capt. Hall’s Stables, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Capt. Hall’s Stables, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

Soldier’s Home, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Soldier’s Home, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

Mule Pen, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Mule Pen, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

Mule Stock, Camp Nelson, Kentucky, G. W. Foster American, Albumen silver print from glass negative — Mule Stock, Camp Nelson, Kentucky
G. W. Foster
F. Glessner
1863–64

[Self-Portrait[?] with Lens Board, Camp Nelson, Kentucky], G. W. Foster American, Albumen silver print from glass negative — [Self-Portrait[?] with Lens Board, Camp Nelson, Kentucky]
G. W. Foster
F. Glessner
1863–64

Jubal and Miriam, William Jay Bolton, Stained glass window; vitreous glass paint, enamel paint, silver stain, American — Jubal and Miriam
William Jay Bolton
John Bolton
1843–48

At the Seaside, William Merritt Chase American, Oil on canvas, American — At the Seaside
William Merritt Chase
ca. 1892

Still Life—Violin and Music, William Michael Harnett American, Oil on canvas, American — Still Life—Violin and Music
William Michael Harnett
1888

Bacchante and Infant Faun, Frederick William MacMonnies American, Bronze, American — Bacchante and Infant Faun
Frederick William MacMonnies
Thiébaut frères
1893–94, cast 1894

Creamer, William Haverstick American, Silver, American — Creamer
William Haverstick
William Haverstick Jr.
1800–1825

Lovejoy & Foster

1860s–80s

Interior of the Post Office

Lovejoy & Foster

1860s–80s

Field, Lelter & Co., Corner of State & Washington Streets

Lovejoy & Foster

1860s–80s

Whalers, Joseph Mallord William Turner British, Oil on canvas — Whalers
Joseph Mallord William Turner
ca. 1845

"Royal George" Cello, William Forster British, Spruce, maple, ebony, British — "Royal George" Cello
William Forster
1782

Turning the Mark, Gerald Foster American, Etching — Turning the Mark
Gerald Foster
PWAP
1934

New York, William Klein American, Gelatin silver print — New York
William Klein
1954

The Refusal of Time, William Kentridge South African, Five-channel digital video installation, black-and-white and color, sound, 30 min.; steel megaphones, and a breathing machine (“elephant”) — The Refusal of Time
William Kentridge
2012

A bibliography of early American art with special reference to the arts of design : books and periodicals in the Museum Library, William Clifford — A bibliography of early American art with special reference to the arts of design : books and periodicals in the Museum Library
William Clifford
Miss Helen J. Baker
1925

Remarks on forest scenery, and other woodland views, (relative chiefly to picturesque beauty) : Illustrated by the scenes of New-Forest in Hampshire, William Gilpin British — Remarks on forest scenery, and other woodland views, (relative chiefly to picturesque beauty) : Illustrated by the scenes of New-Forest in Hampshire
William Gilpin
R. Blamire
1791

Remarks on forest scenery, and other woodland views, (relative chiefly to picturesque beauty) : Illustrated by the scenes of New-Forest in Hampshire, William Gilpin British — Remarks on forest scenery, and other woodland views, (relative chiefly to picturesque beauty) : Illustrated by the scenes of New-Forest in Hampshire
William Gilpin
R. Blamire
1791

The analysis of beauty : written with a view of fixing the fluctuating ideas of taste, William Hogarth British — The analysis of beauty : written with a view of fixing the fluctuating ideas of taste
William Hogarth
1753

Elevator panel from the Manhattan Building, Chicago, Illinois, William LeBaron Jenney, Cast iron, American — Elevator panel from the Manhattan Building, Chicago, Illinois
Multiple artists/makers
ca. 1889–91