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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 705 results for Yoshiko Kogo

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"Rapture" Textile, Yoshiko Kogo American, Cotton — "Rapture" Textile
Yoshiko Kogo
1971

"Monarch" Textile, Yoshiko Kogo American, Cotton — "Monarch" Textile
Yoshiko Kogo
1971

Wooden Kôgo with Rikyû's Kaô, Wood, iron, silver, lacquer, Japan — Wooden Kôgo with Rikyû's Kaô
Japan
16th century

Incense Box (Kōgō) with Camellias

, Carved red lacquer, China — Incense Box (Kōgō) with Camellias
China
13th century

Treasure Boat-shaped Incense Box [Kōgō], Lacquered wood, gold and maki-e lacquer, Japan — Treasure Boat-shaped Incense Box [Kōgō]
Japan
17th century

Incense Box (Kogo) with Design of Autumn Grasses, Black lacquer with gold maki-e on gold nashiji ground, Japan — Incense Box (Kogo) with Design of Autumn Grasses
Japan
15th century

"Kogō" and "The Imperial Procession to Ōhara", from The Tale of the Heike (Heike monogatari), Pair of six-panel folding screens; ink, color, gold and gold leaf on paper, Japan — "Kogō" and "The Imperial Procession to Ōhara", from The Tale of the Heike (Heike monogatari)
Japan
early 17th century

Incense Box (Kōgō) in the Shape of a Plum Blossom, Porcelain with polychrome overglaze enamels and overglaze gold (Kutani ware), Japan — Incense Box (Kōgō) in the Shape of a Plum Blossom
Japan
first half 19th century

Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi), Yamada Jōkasai (1681–1704) Japanese, Gold-speckled aventurine (nashiji) lacquer with sprinkled and polished design (hiramakie), Japan — Incense Box (Kogo) with Design of Iris and Bridge (Yatsuhashi)
Yamada Jōkasai (1681–1704)
19th century

Incense Box (Kogo) with Pines and Plovers, Lacquered wood with gold togidashimaki-e on nashiji (“pear-skin” ground), Japan — Incense Box (Kogo) with Pines and Plovers
Japan
early 14th century

Covered Incense Box (Kōgō) with Tree Peonies, Carved wood with red and black lacquer; Kamakura-bori ware, Japan — Covered Incense Box (Kōgō) with Tree Peonies
Japan
16th century

Incense Container (Kōgō) with Camellia and Mandarin Ducks, Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold foil application, and coral and ivory inlay, Japan — Incense Container (Kōgō) with Camellia and Mandarin Ducks
Japan
18th century

Incense Box (Kōgō) with Cartwheels Submerged in Water, Lacquered wood with gold togidashimaki-e and hiramaki-e on nashiji (“pear-skin” ground), Japan — Incense Box (Kōgō) with Cartwheels Submerged in Water
Japan
15th century

Incense Box (Kōgō) with Interlinked Circles (Shippō) Pattern, Carved wood with red and black lacquer layers (Kamakura-bori), Japan — Incense Box (Kōgō) with Interlinked Circles (Shippō) Pattern
Japan
early 17th century

Incense Box (Kōgō) in the Shape of a Peach
, Lacquered wood; gold, silver takamaki-e, hiramaki-e, togidashimaki-e, and cut-out gold foil application (kirikane), Japan — Incense Box (Kōgō) in the Shape of a Peach
Japan
second half 19th century

Pair of Incense Boxes (Kōgō) in the Shape of Mandarin Ducks, Lacquered wood with gold and silver takamaki-e, hiramaki-e, and togidashimaki-e, cutout gold foil application, Japan — Pair of Incense Boxes (Kōgō) in the Shape of Mandarin Ducks
Japan
second half of the 19th century

Peach Blossom Spring Utopia, Tomita Keisen 冨田溪仙 Japanese, Hanging scroll; ink and color on silk, Japan — Peach Blossom Spring Utopia
Tomita Keisen 冨田溪仙
Tomita Yoshiko 冨田芳子
early 20th century

Shisen (Eyes Meet), Hideo Yamakuchi Japanese, Jacquard brocade — Shisen (Eyes Meet)
Hideo Yamakuchi
1997

Incense Container (Kōgō) in the Shape of a Bird, Miyagawa Chōzō Japanese, Stoneware with polychrome enamels over a transparent glaze (Kyoto ware), Japan — Incense Container (Kōgō) in the Shape of a Bird
Miyagawa Chōzō
first half of the 19th century

Incense Box (Kōgō) in the Shape of a Volume of The Tale of Genji, Lacquered wood with gold and silver togidashimaki-e, Japan — Incense Box (Kōgō) in the Shape of a Volume of The Tale of Genji
Japan
second half of the19th century

Incense Container (Kōgō) in the Shape of a Clamshell, with Cranes and Tortoise Motifs, Eiraku Hozen Japanese, Porcelain painted with cobalt blue under (interior) and red and gold over (exterior) a transparent glaze (Kyoto ware, Eiraku type), Japan — Incense Container (Kōgō) in the Shape of a Clamshell, with Cranes and Tortoise Motifs
Eiraku Hozen
first half of the 19th century

Incense box with guri pattern, Carved wood with red and black lacquer (Kamakura-bori), Japan — Incense box with guri pattern
Japan
16th century

Long-sleeved Robe (Furisode) with Birds, Plain-weave crepe silk with paste-resist dyeing, Japan — Long-sleeved Robe (Furisode) with Birds
Japan
1942

Man’s Under-Kimono (Nagajuban) with Scene of the Russo-Japanese War featuring General Nogi

, Resist-dyed, hand-painted plain-weave silk with traces of gold leaf, Japan — Man’s Under-Kimono (Nagajuban) with Scene of the Russo-Japanese War featuring General Nogi
Japan
early 20th century

Gift Cloth (Fukusa) with Figural Scene

Japan

Gift Cloth (Fukusa) with Pattern of Shell Matching Game

Japan

late 19th–early 20th century

Koto (箏), Various woods, ivory, metal, nylon, tortoiseshell, abalone, lacquerwork, Japanese — Koto (箏)
Japanese
20th century

Koto (箏), Metalwork by Goto Teijo, 9th generation Goto master, Japan Japanese, Various woods, ivory and tortoiseshell inlays, gold and silver inlays, metalwork, cloth, laquer, paper,, Japanese — Koto (箏)
Metalwork by Goto Teijo, 9th generation Goto master, Japan
Gotō Yūjō
early 17th century

Nkisi (power figure), Kongo artist and nganga (ritual specialist), Wood, pigment, resin, iron, brass, tin, cloth, plant fiber cord, beads, cowrie shells, bone or ivory, arrows, leather, seeds, animal horn, Kongo — Nkisi (power figure)
Kongo artist and nganga (ritual specialist)
19th–first half of 20th century

Mangaaka Power Figure (Nkisi N’Kondi), Yombe-Kongo artist and nganga (ritual specialist), Wood, iron, resin, ceramic, plant fiber, textile, pigment, Kongo — Mangaaka Power Figure (Nkisi N’Kondi)
Yombe-Kongo artist and nganga (ritual specialist)
ca. 1880–1900

Kòmòkun or kònòkun (head of Kòmò or Kònò) helmet mask, Bamana or Senufo blacksmith, Wood, cloth, fiber, applied organic materials, Bamana peoples — Kòmòkun or kònòkun (head of Kòmò or Kònò) helmet mask
Bamana or Senufo blacksmith
19th–mid-20th century

No. 43, Yoshio Sekine Japanese, Oil on canvas — No. 43
Yoshio Sekine
1965

Untitled (Makaha Blue), Toshiko Takaezu American, Stoneware — Untitled (Makaha Blue)
Toshiko Takaezu
1995–97

Double Spouted Vase, Toshiko Takaezu American, Glazed stoneware — Double Spouted Vase
Toshiko Takaezu
ca. 1958

Kòmòkun or kònòkun (head of Kòmò or Kònò) helmet mask, Bamana or Senufo blacksmith, Wood, bird skull, porcupine quills, horns, cotton cords, iron, plant fiber, applied organic materials, Bamana or Senufo peoples — Kòmòkun or kònòkun (head of Kòmò or Kònò) helmet mask
Bamana or Senufo blacksmith
19th–mid-20th century

Kòmò trumpet, Wood, Bamana — Kòmò trumpet
Bamana
20th century

Hikō kannō, Onchi Koshiro Japanese — Hikō kannō
Onchi Koshiro
1934

Miniature mask, Kono artist, Wood, metal, Kono peoples — Miniature mask
Kono artist
late 19th–mid-20th century

Staff with Saint Anthony of Padua, Kongo artist, Brass, wood, iron, Kongo peoples — Staff with Saint Anthony of Padua
Kongo artist
19th century

Crucifix with Saint Anthony of Padua, Kongo artist, Brass, wood, lead-tin alloy sheet, plant fiber cord, Kongo — Crucifix with Saint Anthony of Padua
Kongo artist
16th–18th century (pendant figure); 19th century (cross)