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Apse from San Martín at Fuentidueña, Limestone, Spanish
On loan to The Met
Apse from San Martín at Fuentidueña
Spanish
ca. 1175–1200
Apse Mosaic, San Clemente, Rome, John Singer Sargent American, Watercolor, gouache, and graphite on off-white wove paper, American
Apse Mosaic, San Clemente, Rome
John Singer Sargent
1868–69
Abside de Saint-Pierre, Caen, Edmond Bacot French, Salted paper print from glass negative
Abside de Saint-Pierre, Caen
Edmond Bacot
1852–54
Chevet de St. Martin-sur-Renelle (The apse of the Church of St. Martin-sur-Renelle, Paris), Charles Meryon French, Etching
Chevet de St. Martin-sur-Renelle (The apse of the Church of St. Martin-sur-Renelle, Paris)
Charles Meryon
After Polyclés Langlois
1860
Virgin and Child in an Apse, Robert Campin Netherlandish, Oil on canvas, transferred from wood
Virgin and Child in an Apse
Copy after Robert Campin
Notre-Dame (Abside), Edouard Baldus French, born Prussia, Albumen silver print from glass negative
Notre-Dame (Abside)
Edouard Baldus
1860s
Jérusalem, Saint Sépulcre, abside, Auguste Salzmann French, Salted paper print from paper negative
Jérusalem, Saint Sépulcre, abside
Auguste Salzmann
Printer Imprimerie photographique de Blanquart-Évrard, à Lille
1854
St. Pierre, Caen, Alfred Capel Cure British, Albumen silver print from paper negative
St. Pierre, Caen
Alfred Capel Cure
1856
St. Peter's, apse, partial elevation, Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, apse, partial elevation
Anonymous, French, 16th century
early to mid-16th century
Saint Peter's, apse, exterior elevation, Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Saint Peter's, apse, exterior elevation
Anonymous, French, 16th century
early to mid-16th century
Facsimile of the Apse Painting in Tomb 25, Bagawat Necropolis, Kharga Oasis, Charles K. Wilkinson, Tempera on paper, Egyptian
Facsimile of the Apse Painting in Tomb 25, Bagawat Necropolis, Kharga Oasis
Charles K. Wilkinson
2nd century CE or later
The Apse of Notre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine
The Apse of Notre-Dame, Paris
Charles Meryon
1854
The Apse of Notre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine
The Apse of Notre-Dame, Paris
Charles Meryon
1854
The Apse of Notre-Dame, Paris, Charles Meryon French, Etching
The Apse of Notre-Dame, Paris
Charles Meryon
1854
Apse, Basilica San Pietro, Toscanella (Tuscania) (43. Toscanella. Eglise de S. Pietro. Apside.), Joseph-Philibert Girault de Prangey French, Daguerreotype
Apse, Basilica San Pietro, Toscanella (Tuscania) (43. Toscanella. Eglise de S. Pietro. Apside.)
Joseph-Philibert Girault de Prangey
1842
Mission San Juan Capistrano
Carleton E. Watkins
1880–81
St. Peter's apse, exterior niche section and details (recto); St. Peter's apse, exterior niche elevation and profiles of details (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's apse, exterior niche section and details (recto); St. Peter's apse, exterior niche elevation and profiles of details (verso)
Anonymous, French, 16th century
early to mid-16th century
St. Peter's, apse, window, elevation (recto); Unidentified, portal, elevation (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, apse, window, elevation (recto); Unidentified, portal, elevation (verso)
Anonymous, French, 16th century
Circle of Etienne DuPérac
early to mid-16th century
The Apse of Notre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine
The Apse of Notre-Dame, Paris
Charles Meryon
1854
The Apse of Nôtre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine
The Apse of Nôtre-Dame, Paris
Charles Meryon
1854
St. Peter's, apse, exterior niche details (recto); St Peter's, apse, exterior niche elevation and profile of scrolled console, elevation of column shaft (verso) , Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St. Peter's, apse, exterior niche details (recto); St Peter's, apse, exterior niche elevation and profile of scrolled console, elevation of column shaft (verso)

Anonymous, French, 16th century
early to mid-16th century
The Apse, St. Enoch's Church, Glasgow
Sir David Young Cameron
1895
The Apse of Notre-Dame, Paris, Charles Meryon French, Graphite
The Apse of Notre-Dame, Paris
Charles Meryon
ca. 1852–54
Apse of a Church Seen Through the Snowy Branches of a Tree, Anthonie Waterloo Dutch, Black chalk, gray wash, heightened with white
Apse of a Church Seen Through the Snowy Branches of a Tree
Anthonie Waterloo
17th century
Design for the Decoration of the Semi-Dome of a Church Apse, Battista Franco Italian, Pen and brown ink, brush and gray wash, over black chalk and ruling in black chalk
Design for the Decoration of the Semi-Dome of a Church Apse
Workshop of Battista Franco
ca. 1545–55
Huy: Apse of St. Maternus and Gateway
Sir Ernest George
1878–83
Figures in One of Michelangelo's Niches on the Apse of St. Peter's, Rome, Hubert Robert French, Red chalk; framing lines in pen and brown ink
Figures in One of Michelangelo's Niches on the Apse of St. Peter's, Rome
Hubert Robert
ca. 1763
Exterior Apse of Church of Saint-Nectaire, Eugène Isabey French, Lithograph in black on light gray chine collé laid down on ivory wove paper; second state of two
Exterior Apse of Church of Saint-Nectaire
Eugène Isabey
Printer Godefroy Engelmann
1831
Study for the Decoration of an Apse: Saints and Angels in Glory with God the Father Above, Belisario Corenzio Italian, born Greece, Brush, blue and brown wash, highlighted with white, over a little black chalk, on beige paper
Study for the Decoration of an Apse: Saints and Angels in Glory with God the Father Above
Belisario Corenzio
1590–1646
St. Peter's, attic, window, elevation (recto); St. Peter's, apse, plan; window, cornice, elevation profile; arch frame, elevation profile (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, attic, window, elevation (recto); St. Peter's, apse, plan; window, cornice, elevation profile; arch frame, elevation profile (verso)
Anonymous, French, 16th century
early to mid-16th century
Abside de la Cathédrale de Saint Pierre et Saint Paul, Troyes
John Taylor Arms
Printer Henry E. Carling
1930
Chapel from Notre-Dame-du-Bourg at Langon, Limestone, French
Chapel from Notre-Dame-du-Bourg at Langon
French
after 1126
Design for a Church Interior, Louis C. Tiffany American, Transparent and opaque watercolor, metallic paint, and graphite on paper with window mat, American
Design for a Church Interior
Louis C. Tiffany
Designer Attributed to Jacob Holzer
Tiffany Glass and Decorating Company
ca. 1899
Madonna, Mosaic, Saints Maria and Donato, Murano, John Singer Sargent American, Watercolor and gouache on white wove paper, American
Madonna, Mosaic, Saints Maria and Donato, Murano
John Singer Sargent
ca. 1898
Design for Chancel, Saint Michael's Church, Charleston, South Carolina, Louis C. Tiffany American, Transparent and opaque watercolor, metallic paint, and graphite on paper mouted on paperboard, American
Design for Chancel, Saint Michael's Church, Charleston, South Carolina
Louis C. Tiffany
Designer Unidentified
Tiffany Studios
ca. 1905
Design for a Church Interior, Louis C. Tiffany American, Transparent and opaque watercolor, metallic paint, and graphite on paper, American
Design for a Church Interior
Louis C. Tiffany
Designer Unidentified
Tiffany Glass and Decorating Company
ca. 1892-1902
The Virgin and Child in Majesty and the Adoration of the Magi, Master of Pedret Spanish, Fresco transferred to canvas, Catalan
The Virgin and Child in Majesty and the Adoration of the Magi
Attributed to the Master of Pedret
ca. 1100
Design for a Chancel, Louis C. Tiffany American, Transparent and opaque watercolor, metallic paint, and graphite on translucent paper, collage of paper and gelatin silver print, mounted on paper mounted on paperboard, American
Design for a Chancel
Louis C. Tiffany
Designer Unidentified
Tiffany Glass and Decorating Company
1892-1902
Buddha, Limestone, India, Andhra Pradesh
Buddha
India, Andhra Pradesh
3rd century CE
Jehu Adoring the Golden Calves, plate 16 from "The Disasters of the Jewish People"
Philips Galle
After Maarten van Heemskerck
1549
Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano', François Spierre French, Engraving (two plates)
Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano'
François Spierre
After Gian Lorenzo Bernini
1666 (or after)
Pendant Brooch with Cameo of Enthroned Virgin and Child and Christ Pantokrator, Chalcedony cameo; gold mount with pearls, emeralds, garnets, sapphires, and a sardonyx intaglio, Byzantine
Pendant Brooch with Cameo of Enthroned Virgin and Child and Christ Pantokrator
Byzantine
late 1000s–1100s (cameo); 1100s–1300s (mount)

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