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1-42 of 489 results for goya tauromaquia
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Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas
Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Plate C: The dogs let loose on the bull, from "Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate C: The dogs let loose on the bull, from "Tauromaquia"
Goya (Francisco de Goya y Lucientes)
ca. 1816
Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza
Goya (Francisco de Goya y Lucientes)
1816
A City on a Rock, Goya Spanish, Oil on canvas
A City on a Rock
Goya
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
Goya (Francisco de Goya y Lucientes)
1816
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century
Plate 31 of "La Tauromaquia": Banderillas with firecrackers, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 31 of "La Tauromaquia": Banderillas with firecrackers
Goya (Francisco de Goya y Lucientes)
1816
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
Goya (Francisco de Goya y Lucientes)
1816
Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas
Don Bernardo de Iriarte (1735–1814)
Goya
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya
María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas
María Luisa of Parma (1751–1819), Queen of Spain
Goya
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, burin, and burnishing
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya (Francisco de Goya y Lucientes)
1816
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Plate 25 from "La Tauromaquia": They loose dogs on the bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 25 from "La Tauromaquia": They loose dogs on the bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Goya (Francisco de Goya y Lucientes)
1816
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 2 from "La Tauromaquia": Another way of hunting on foot, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 2 from "La Tauromaquia": Another way of hunting on foot
Goya (Francisco de Goya y Lucientes)
1816
Mademoiselle V. . . in the Costume of an Espada, Edouard Manet French, Oil on canvas
Mademoiselle V. . . in the Costume of an Espada
Edouard Manet
1862
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint, burin
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Goya (Francisco de Goya y Lucientes)
1816
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
ca. 1816
Plate 19 of "La Tauromaquia": Another madness of his in the same ring, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint and burin
Plate 19 of "La Tauromaquia": Another madness of his in the same ring
Goya (Francisco de Goya y Lucientes)
1816
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte', Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Goya (Francisco de Goya y Lucientes)
1816
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
Goya (Francisco de Goya y Lucientes)
1816
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
Goya (Francisco de Goya y Lucientes)
1816
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure
Goya (Francisco de Goya y Lucientes)
1816
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
1816
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
Goya (Francisco de Goya y Lucientes)
1816
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816
Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid
Goya (Francisco de Goya y Lucientes)
1816