Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 3,677 results for virgils-aeneid

Sort by:

Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35

The Combat between Dares and Entellus (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35

Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35

The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI)
Master of the Aeneid
ca. 1530–35

Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35

Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35

The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Wide-rimmed bowl with figures from Virgil's Aeneid, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware), lustered, Italian, Gubbio — Wide-rimmed bowl with figures from Virgil's Aeneid
Multiple artists/makers
1525

Sword, Steel, silver, copper alloy, leather, Western European — Sword
Western European
ca. 1400

Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, Joseph Wright (Wright of Derby) British, Oil on canvas — Virgil's Tomb by Moonlight, with Silius Italicus Declaiming
Joseph Wright (Wright of Derby)
1779

Madonna and Child, Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Madonna and Child
Master of the Aeneid
second quarter 16th century

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

Wide-rimmed bowl depicting figures from Virgil's Aeneid, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware), lustered, Italian, Gubbio — Wide-rimmed bowl depicting figures from Virgil's Aeneid
Multiple artists/makers
1525

Aeneas and the Sibyl in the Underworld, Jan Brueghel the Younger Flemish, Oil on copper — Aeneas and the Sibyl in the Underworld
Jan Brueghel the Younger
1630s

Venus Giving Arms to Aeneas, Jean Cornu French, Terracotta and painted wood, French, Paris — Venus Giving Arms to Aeneas
Jean Cornu
1704

Terracotta neck-amphora (jar), Diosphos Painter, Terracotta, Greek, Attic — Terracotta neck-amphora (jar)
Diosphos Painter
ca. 500 BCE

Neptune and the Winds, Giovanni Battista Tiepolo Italian, Oil on canvas — Neptune and the Winds
Giovanni Battista Tiepolo
1760s

Virgil Reading the Aeneid to Augustus, Livia, and Octavia, Jean Auguste Dominique Ingres French, Pen and black ink, graphite, brush and gray wash, white gouache heightening, Conté crayon on blue paper — Virgil Reading the Aeneid to Augustus, Livia, and Octavia
Jean Auguste Dominique Ingres
1809/1819 (?)

The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas — The Dream of Aeneas
Salvator Rosa
1660–65

The Children of Prescott Hall Butler, Augustus Saint-Gaudens American, Marble, American — The Children of Prescott Hall Butler
Augustus Saint-Gaudens
Piccirilli Brothers Marble Carving Studio
1880–81; carved 1906–7

Marble relief fragment with scenes from the Trojan War, Marble, Palombino, Roman — Marble relief fragment with scenes from the Trojan War
Roman
1st half of 1st century CE

Venus in the Forge of Vulcan (Aeneid VIII: 370 ff), Stefano Pozzi Italian, Black chalk, highlighted with white chalk, on blue-green paper — Venus in the Forge of Vulcan (Aeneid VIII: 370 ff)
Stefano Pozzi
1699–1768

Portrait medal of Dido, Queen of Carthage (obverse); A View of Carthage (reverse), Alessandro Cesati Italian, Bronze (Copper alloy with light brown<br/>patina). — Portrait medal of Dido, Queen of Carthage (obverse); A View of Carthage (reverse)
Alessandro Cesati
ca. 1550

Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.), Stefano Pozzi Italian, Black chalk, highlighted with white chalk, on blue paper — Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.)
Stefano Pozzi
1699–1768

Derick Berck of Cologne, Hans Holbein the Younger German, Oil on canvas, transferred from wood — Derick Berck of Cologne
Hans Holbein the Younger
1536

Sleep, Pierre Puvis de Chavannes French, Oil on canvas — Sleep
Pierre Puvis de Chavannes
ca. 1867–70

Neptune calming the tempest which Aeolus raised against Aeneas' fleet, from Book I of the Aeneid, Marcantonio Raimondi Italian, Engraving — Neptune calming the tempest which Aeolus raised against Aeneas' fleet, from Book I of the Aeneid
Marcantonio Raimondi
Raphael (Raffaello Sanzio or Santi)
ca. 1515–16

Plate (piatto): The story of Aeneas, Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware) — Plate (piatto): The story of Aeneas
Francesco Xanto Avelli da Rovigo
1532

Zeus as an eagle, abducting Ganymede, Giovanni Battista Palumba Italian, Woodcut (appears to be a later impression) — Zeus as an eagle, abducting Ganymede
Giovanni Battista Palumba
1500–1510

Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa Italian, Etching and drypoint — Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand
Salvator Rosa
ca. 1663–64

Venus Begging Arms From Vulcan, Simon Francis Ravenet, the elder French, Enamel on copper; transfer-printed, British, Battersea, London — Venus Begging Arms From Vulcan
Multiple artists/makers
ca. 1753–56

Dido's Sacrifice to Juno, Jean Bernard Restout French, Oil paint, over pen and brown ink, brush and brown wash, on paper, mounted on canvas — Dido's Sacrifice to Juno
Multiple artists/makers
ca. 1772–74