How to Read Islamic Calligraphy

Ekhtiar, Maryam D.
2018
156 pages
141 illustrations
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For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met’s superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world.

Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur’an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy in the arts of Islam and the vitality of its role in Islamic culture.

Met Art in Publication

Mihrab (Prayer Niche), Mosaic of polychrome-glazed cut tiles on stonepaste body; set into mortar
dated 755 AH/1354–55 CE
Bowl with Arabic Inscription, Earthenware; white slip with black-slip decoration under transparent glaze
10th century
Goblet with Incised Designs, Glass, bluish green; blown, applied solid stem and blown foot, scratch-engraved
8th–9th century
Calligraphic Plaque, Steel; forged and pierced
probably late 17th century
Banner, Silk, metal wrapped thread; lampas, brocaded
dated 1235 AH/1819–20 CE
Engraved Lamp Stand with Chevron Pattern, Brass; cast, engraved, and inlaid with black and red pigment
dated 986 AH/1578–79 CE
Dedicatory Inscription from a Mosque, Gabbro; carved
dated 905 AH/1500 CE
Anthology of Persian Poetry in Oblong Format (Safina), Sultan Muhammad Nur  Iranian, Ink, watercolor, and gold on paper.<br/>Binding: leather
Sultan Muhammad Nur
dated 905 AH/1499–1500 CE
Folio with Verses in Nasta'liq Script, Mir `Imad al-Hasani  Iranian, Ink, opaque watercolor, and gold on paper
Mir `Imad al-Hasani
dated 1017 AH/1608–9 CE
Book of Prayers, Surat al-Yasin and Surat al-Fath, Ahmad Nairizi  Iranian, Ink, opaque watercolor, and gold on paper<br/>Binding: lacquer
Ahmad Nairizi
dated 1132 AH/1719–20 CE
Page of Calligraphy, Muhammad Shafi‘ known as Vesal-i Shirazi  Iranian, Ink, opaque watercolor, and gold on paper
Muhammad Shafi‘ known as Vesal-i Shirazi
early–mid-19th century
Coin, Gold
dated 164 AH/780 CE
Bifolium from a Qur'an, Ink, opaque watercolor, and gold on parchment
late 9th–10th century
Folio from a Qur'an Manuscript, Ink, opaque watercolor, and gold on paper
ca. 1180
Bowl with Arabic Inscription, "Blessing, Prosperity, Well-being, Happiness", Earthenware; white slip with polychrome slip decoration under transparent glaze
late 10th–11th century
Bifolium from the "Nurse's Qur'an" (Mushaf al-Hadina), Ink, opaque watercolor, and gold on parchment
ca. 410 AH/1019–20 CE
Folio from a Qur'an Manuscript, Ahmad ibn al-Suhrawardi al-Bakri, Ink, opaque watercolor, and gold on paper
Ahmad ibn al-Suhrawardi al-Bakri
dated 707 AH/1307–8 CE
Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), Shaikh Hamdullah ibn Mustafa Dede  Turkish, Main support: ink, watercolor, and gold on paper<br/>Margins: ink, watercolor, and gold on marbled paper<br/>Binding: leather and gold
Shaikh Hamdullah ibn Mustafa Dede
ca. 1500
Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66), Ink, opaque watercolor, and gold on paper
ca. 1555–60
Firman of Muhammad Shah Qajar, Ink, opaque watercolor, and gold on paper
dated 1250 AH/1835 CE
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Citation

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Ekhtiar, Maryam. n.d. How to Read Islamic Calligraphy. How to Read 8. New York New Haven, CT London: The Metropolitan Museum of Art Yale University Press.