Seventeenth-Century Italian Drawings in The Metropolitan Museum of Art

Seventeenth-Century Italian Drawings in The Metropolitan Museum of Art

Bean, Jacob

1979

300 pages

405 illustrations

8.5 x 11 in

This title is out of print.

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Table of contents

About the authors

Preface

Works Cited in Abbreviated Form

Notices and Illustrations

Addendum

Index of Former Owners

Concordance

Index of Artists

Met Art in Publication

Diana Bathing, Francesco Albani Italian, Pen and brown ink, brush and brown wash — Diana Bathing
Francesco Albani
1578–1660

The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso), Francesco Allegrini Italian, Pen and brown ink, over red chalk — The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso)
attributed to Francesco Allegrini
1624–63

Cain Slaying Abel, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Cain Slaying Abel
attributed to Francesco Allegrini
1624–63

Lot and His Daughters, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in red chalk, and pen and brown ink on mount — Lot and His Daughters
attributed to Francesco Allegrini
1624–63

King Solomon Receiving the Queen of Sheba, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — King Solomon Receiving the Queen of Sheba
attributed to Francesco Allegrini
1624–63

The Arrest of Christ, Francesco Allegrini Italian, Pen and brown ink — The Arrest of Christ
attributed to Francesco Allegrini
1624–63

Christ before the High Priest Caiphas, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount — Christ before the High Priest Caiphas
attributed to Francesco Allegrini
1624–63

Christ Crucified with the Good Thief, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash. Framing lines in red chalk, and in pen and brown ink on mount — Christ Crucified with the Good Thief
attributed to Francesco Allegrini
1624–63

Group of Figures Copied from Michelangelo's Last Judgment, Francesco Allegrini Italian, Pen and brown ink, over traces of black chalk; framing lines in pen and brown ink on mount — Group of Figures Copied from Michelangelo's Last Judgment
Attributed to Francesco Allegrini
After Michelangelo Buonarroti
1624–63

The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini Italian, Pen and brown ink (recto and verso). <br/>Framing lines in black chalk, and pen and brown ink on mount — The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso)
attributed to Francesco Allegrini
1624–63

Two Monastic Figures Standing before a Church, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Two Monastic Figures Standing before a Church
attributed to Francesco Allegrini
1624–63

Battle of the Titans, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash. Framing lines in black chalk, and pen and brown ink on mount — Battle of the Titans
attributed to Francesco Allegrini
1624–63

The Rape of Europa, Francesco Allegrini Italian, Pen and brown ink; framing lines in black chalk, and in pen and brown ink on mount — The Rape of Europa
attributed to Francesco Allegrini
1624–63

The Death of Polyxena, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; double framing lines in pen and brown ink on mount — The Death of Polyxena
Attributed to Francesco Allegrini
1624–63

Aeneas Carrying Anchises in the Burning of Troy, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount — Aeneas Carrying Anchises in the Burning of Troy
attributed to Francesco Allegrini
1624–63

Aeneas and Achates Entering Dido's Palace in a Cloud, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in black chalk, and in pen and brown ink on mount — Aeneas and Achates Entering Dido's Palace in a Cloud
attributed to Francesco Allegrini
1624–63

The Departure of Aeneas Announced to Dido?, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in red chalk — The Departure of Aeneas Announced to Dido?
Francesco Allegrini
1624–63

The Death of Dido, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink on mount — The Death of Dido
attributed to Francesco Allegrini
1624–63

Landscape with Figures: The Silver Age, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk, and in pen and brown ink on mount — Landscape with Figures: The Silver Age
attributed to Francesco Allegrini
1624–63

Scene of Sacrifice, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk, and pen and brown ink on mount — Scene of Sacrifice
Attributed to Francesco Allegrini
1624–63

Showing 20 of 379

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Citation

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Metropolitan Museum of Art (New York, N.Y.), and Jacob Bean, eds. 1979. 17th Century Italian Drawings in the Metropolitan Museum of Art. New York: The Museum : distributed by H. Abrams.