The Waking Dream: Photography's First Century. Selections from the Gilman Paper Company Collection

Hambourg, Maria Morris, Pierre Apraxine, Malcolm Daniel, Jeff L. Rosenheim, and Virginia Heckert (1993)

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Description

An "evanescent shadow, a delicate, just perceptible image, the trace of a small plant on a field of periwinkle blue." With this description of one of the very earliest photographic experiments, Maria Morris Hambourg begins the riveting story of photography's first century, a story that concludes on the eve of World War II with the dramatic photographs of Henri Cartier-Bresson, Robert Capa, and Walker Evans, images imprinted indelibly into the consciousness of the modern era.

The 253 works in the exhibition, many of them rare or unique and all of exceptional print quality, have been culled from the more than five thousand that comprise the legendary but seldom exhibited Gilman Paper Company Collection, the most important private collection of photographs in the world. Assembled over the past two decades, the collection is composed of images both ravishing and historically significant, setting the standard of connoisseurship in the field and illuminating the aesthetics of the medium.

The first three chapters cover the period from the birth of photography in 1839 through its early maturation in the 1860s, in the locales where it first and most magnificently flourished, in Victorian England and France of the Second Empire and on tours of the Mediterranean basin and beyond, in India and Asia. Chapter Four examines photography in America during the nineteenth century and vividly charts the Civil War and the exploration of the majestic terrains of the American West. Investigations of the self and society are explored in Chapter Five, in the psychologically penetrating portraits and dreamlike landscape studies of the fin de siècle in Europe and America. And in Chapter Six, the modern era rushes into view with the provocative new vision of the twentieth century.

The artists represented include such renowned British and French masters as Roger Fenton, Lewis Carroll, Julia Margaret Cameron, Nadar, Édouard Baldus, and Gustave Le Gray. The American chapter highlights the work of Mathew Brady, Timothy O'Sullivan, Carleton Watkins, and many anonymous practitioners. Revealing portraits of Oscar Wilde, Aubrey Beardsley, and Vaslav Nijinsky, among others, bring to life the charged atmosphere of the turn of the century. And the pioneering imagery of Man Ray, El Lissitzky, Alfred Stieglitz, Eugene Atget, Martin Munkacsi, and Alexander Rodchenko exuberantly re-creates the vitality of the twenties and thirties.

The title of the book, The Waking Dream, is taken from Keats's "Ode to a Nightingale" and suggests, in the words of Maria Morris Hambourg, "the haunting power of photographs to commingle past and present, to suspend the world and the artist's experience of it in unique distillations." Essays by Maria Morris Hambourg and Pierre Apraxine offer critical overviews of each of the six chapters, and carefully researched texts by members of the staff of the Department of Photographs at the Metropolitan Museum, enlivened by often surprising and entertaining vignettes, clarify the historical context of the photographs. Unusual attention has been given to the production of the plates, which were executed under the supervision of the innovative and highly regarded photographer and master printer Richard Benson.

Table of contents

Preface
Howard Gilman

Foreword
Philippe de Montebello

Introduction
Maria Morris Hambourg

Acknowledgments

Picturing Victorian Britain

Photography as Art in France

Extending the Grand Tour

America: An Insistent Present

Turn of the Century: Chrysalis of the Modern

Modern Perspectives

Catalogue of the Photographs
Maria Morris Hambourg, Pierre Apraxine, Malcolm Daniel, Jeff L. Rosenheim, Virginia Heckert

Notes

Index

About the authors

Maria Morris Hambourg is Curator in Charge of the Department of Photographs at The Metropolitan Museum of Art. Her previous publications include Helen Levitt (with Sandra S. Phillips; 1991), The New Vision (with Christopher Phillips; 1989), and The Work of Atget, in four volumes (with John Szarkowski; 1981–85).

Pierre Apraxine is the Curator of the Gilman Paper Company Collection and a consultant to the Department of Photographs at the Metropolitan Museum. He is the author of Photographs from the Collection of the Gilman Paper Company (1985).

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Authors: Jeff Rosenheim | Malcolm R. Daniel | Maria Morris Hambourg | Pierre Apraxine | Virginia Heckert

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