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The Crown of the Andes

“Where are the boundaries of American art?”

"Where are the boundaries of American art?" Ronda Kasl on the "Crown of the Andes."

Featured artwork:
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, ca. 1660 (diadem) and ca. 1770 (arches). Colombian, Popayán. Gold, repoussé and chased; emeralds; 13 1/2 in. (34.3 cm), Body diameter: 13 1/4 in. (33.7 cm). The Metropolitan Museum of Art, New York, Purchase, Lila Acheson Wallace Gift, Acquisitions Fund and Mary Trumbull Adams Fund, 2015 (2015.437) http://met.org/24nWfFK

MetCollects introduces highlights of works of art recently acquired by The Met through gifts and purchases.

Footage courtesy of eFootage, LLC, used by permission.
Footage excerpted from "Corpus," a documentary by Raul Goyburu.


Contributors

Ronda Kasl
Curator of Latin American Art, the American Wing

A collage of five artworks against a light parchment background
Five case studies for select recent acquisitions demonstrate the varied and complex nature of provenance research at The Met.
Lucian Simmons, Maya Muratov, Christine E. Brennan, Ria Breed, Anne Dunn-Vaturi, Michael Seymour, and Mary Chan
April 8
Collage of Miami storefronts palm trees and white torso.
Samoylova’s images capture the trompe l’oeil of Florida, many to do with water and glass—the mise-en-abyme of cypress trunks reflected in a tannic creek.
Ange Mlinko
March 21
More in:MetCollectsHispanic/Latine HeritageRecent AcquisitionsPower & Privilege

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Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, Gold, repoussé and chased; emeralds, Colombian; Popayán
Colombian; Popayán
Ca. 1660 (diadem) and ca. 1770 (arches)