Aberdeen Portraits No. 1

George Washington Wilson British, Scottish
1857
Not on view
As the leading portrait photographer in Aberdeen, Scotland, Wilson had on file hundreds of negatives of the city’s professional elite. At the suggestion of his friend George Walker, a bookseller, Wilson cut out and pasted a selection of portrait heads in a tight oval, placing the largest and most important figures at the center; then he re-photographed the collage. Displayed in the window of Walker’s bookshop, the completed photomontage attracted immediate attention. Remarkably, some passersby did not realize that the photograph was composed of separate portraits, and Wilson and Walker received inquiries about “when & where all these people had been collected & photographed.”

Artwork Details

Object Information
  • Title: Aberdeen Portraits No. 1
  • Artist: George Washington Wilson (British, Grampian (Baffshire), Scotland 1823–1893 Abedeen, Scotland)
  • Date: 1857
  • Medium: Albumen silver print from glass negative
  • Dimensions: Image: 21.3 x 17.2 cm (8 3/8 x 6 3/4 in.)
    Mount: 37.7 x 30 cm (14 13/16 x 11 13/16 in.)
    Frame: 43.2 x 35.6 cm (17 x 14 in.)
  • Classification: Photographs
  • Credit Line: The Horace W. Goldsmith Foundation Fund, through Joyce and Robert Menschel, 2011
  • Object Number: 2011.424
  • Curatorial Department: Photographs

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.