Male Figure
Standing upright with legs spread apart, this figure keeps his softly rounded arms hugged around his lower abdomen. The protrusion in his lower abdomen and absence of rounded breasts suggests his masculinity, though other examples of Valdivia figures display combinations of male and female traits. Simple facial markings create a reposed expression, while finer etchings represent rows of long hair falling above the figure’s shoulders and down his back. Traces of a terracotta-colored slip cover the figure’s body except for the face, similarly to Valdivia figure MMA 1988.117.1.
This figure is one of many fascinating works from the Valdivia culture—one of the first civilizations in the Americas to produce figural representations around 3000 BCE. Some of the earliest figures were crafted from various stones, while later works like this were formed from clay and slip. While various styles of figurines appeared across the millennium throughout the region, continuities in visual elements such as reposed expressions and feminine characteristics remained. While the exact function of these figurines remains unknown, archaeologists have found these figures in both domestic and funerary settings. Perhaps relating to the ideas of production, progeny, and protection, they would have played a part in every phase of Valdivian life.
Carol Velandia, Adrienne Arsht Intern, 2025
References and Further Reading
Department of the Arts of Africa, Oceania, and the Americas. Valdivia Figurines. The Metropolitan Museum of Art, 2004.
Estrada, Emilio. Nuevos elementos en la cultura Valdivia; sus posibles contactos transpacíficos. Guayaquil: Publicación del Sub-Comite Ecuatoriano de Antropología, Dependiente del Instituto Panamericano de Geografía e Historia, 1961.
García Caputi, Mariella. Las Figurinas de Real Alto: Reflejos de Los Modos de Vida Valdivia. 1ra. ed. Quito: Abya Yala, 2008.
This figure is one of many fascinating works from the Valdivia culture—one of the first civilizations in the Americas to produce figural representations around 3000 BCE. Some of the earliest figures were crafted from various stones, while later works like this were formed from clay and slip. While various styles of figurines appeared across the millennium throughout the region, continuities in visual elements such as reposed expressions and feminine characteristics remained. While the exact function of these figurines remains unknown, archaeologists have found these figures in both domestic and funerary settings. Perhaps relating to the ideas of production, progeny, and protection, they would have played a part in every phase of Valdivian life.
Carol Velandia, Adrienne Arsht Intern, 2025
References and Further Reading
Department of the Arts of Africa, Oceania, and the Americas. Valdivia Figurines. The Metropolitan Museum of Art, 2004.
Estrada, Emilio. Nuevos elementos en la cultura Valdivia; sus posibles contactos transpacíficos. Guayaquil: Publicación del Sub-Comite Ecuatoriano de Antropología, Dependiente del Instituto Panamericano de Geografía e Historia, 1961.
García Caputi, Mariella. Las Figurinas de Real Alto: Reflejos de Los Modos de Vida Valdivia. 1ra. ed. Quito: Abya Yala, 2008.
Artwork Details
- Title: Male Figure
- Artist: Valdivia artist(s)
- Date: 3000 BCE
- Geography: Ecuador
- Culture: Valdivia
- Medium: Ceramic
- Dimensions: H. 4 x W. 1 1/4 in. (10.2 x 3.2 cm)
- Classification: Ceramics-Sculpture
- Credit Line: Gift of Peggy and Tessim Zorach, 1988
- Object Number: 1988.117.2
- Curatorial Department: The Michael C. Rockefeller Wing
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Valdivia artist(s)
3000 BCE
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