English
DonateMembershipTickets

Head of Pope Urban VIII (Maffeo Vincenzo Barberini) (recto); An Outstretched Arm (verso)

Attributed to Pietro Locatelli Italian
1669–70
Not on view
Confidently executed with sweeping strokes of black chalk expressively built up around the outlines, this portrait drawing of Pope Urban VIII Barberini (reigned 1623-1644), which appears to be an animated likeness done from life of the great maecenas of Baroque Rome, has been convincingly identified as the work of Pietro da Cortona's gifted pupil, Pietro Locatelli, relating to his design in reverse for the main figure seen at center in the tapestry cartoon of 1669-70 that represents the Union of the Duchy of Urbino and the Papal States (now in the Palazzo Venezia, Rome). The scale of this unusally large portrait drawing is life-size, and probably closely corresponds to that of the final work. The verso of the sheet represents the truncated design of a woman's arm also related to Locatelli's tapestry cartoon.

Artwork Details

Object Information
  • Title: Head of Pope Urban VIII (Maffeo Vincenzo Barberini) (recto); An Outstretched Arm (verso)
  • Artist: Attributed to Pietro Locatelli (Italian, Rome, 1634–1710)
  • Date: 1669–70
  • Medium: Black chalk, highlighted with white chalk, on light brown paper (recto); black chalk (verso)
  • Dimensions: 15-3/4 x 9-5/8 in. (40.0 x 24.5 cm)
  • Classification: Drawings
  • Credit Line: Harry G. Sperling Fund, 1996
  • Object Number: 1996.566a, b
  • Curatorial Department: Drawings and Prints
More Artwork
Lobster-Tail Burgonet, Steel, leather, gold, North Italian
North Italian
ca. 1610
Study of Eleven Heads, Jacques de Gheyn II  Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite
Jacques de Gheyn II
late 16th–early 17th century
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later
Diana and Actaeon, Bartholomeus Spranger  Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Bartholomeus Spranger
ca. 1580–85
Sea Dragon, Wood, brass, gilding, Italian
Italian
17th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.