English
DonateMembershipTickets

Nocturne: Palaces

1879–80
Not on view
Nocturne: Palaces is one of the most evocative of Whistler’s Venetian etchings. A gas lantern casts rays of light into the gathering darkness and acts as a focal point for a meeting of palace walls, canals, and a footbridge veiled by atmospheric haze. The delicate streaking of the ink in the upper and lower portions of the sheet creates effects similar to monotype achieved through careful wiping. Whistler trimmed the print to the plate line, leaving a small tab where he inscribed his butterfly signature, establishing the idea of a limited edition. He printed this work three years after returning to London from Venice, for an 1883 exhibition at the Fine Art Society. In 1886, it was published by Dowdeswell and Thibaudeau in Twenty-Six Etchings (the "Second Venice Set").

Artwork Details

Object Information
  • Title: Nocturne: Palaces
  • Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886)
  • Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London)
  • Date: 1879–80
  • Medium: Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
  • Dimensions: Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm)
    Plate: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm)
  • Classification: Prints
  • Credit Line: Gift of Harold K. Hochschild, 1940
  • Object Number: 40.63.8
  • Curatorial Department: Drawings and Prints
More Artwork
Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler  American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
James McNeill Whistler
1878
Powder Horn, Horn (cow), lead, American
American
18th century
Turkeys, James McNeill Whistler  American, Etching and drypoint, printed in brown ink on medium weight ivory laid paper (drum mounted); first state of two (Glasgow)
James McNeill Whistler
1879–80
The Yellow Room, James McNeill Whistler  American, Watercolor and gouache on paperboard, American
James McNeill Whistler
ca. 1883–84
Man and Two Women (Henderson Ledger Artist B), Frank Henderson  Native American, Pencil, colored pencil, and ink on paper, Arapaho
Frank Henderson
ca. 1882

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.