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Venus und Amor

Lorenzo Lotto Italian

Mitte der 1520er

On view at The Met Fifth Avenue in Gallery 608

Inspiration für das Thema dieses Bildes vom unkonventionellsten Genie der venezianischen Renaissance waren klassische Hochzeitsgedichte; das Bild wurde höchstwahrscheinlich anlässlich einer Hochzeit gemalt. Venus könnte sogar ein Porträt der Braut sein. Die Muschel über dem Kopf der Venus und die Rosenblütenblätter in ihrem Schoß sind übliche Merkmale der Göttin. Der Efeu symbolisiert eheliche Treue, während der Myrtenkranz und die davon herabhängende Feuerschale Requisiten der Ehekammer sind. Venus trägt den Ohrring und das Diadem einer Braut des 16. Jahrhunderts. Amors Urinieren durch den Myrtenkranz ist eine Fruchtbarkeitsprophezeiung und verleiht diesem sehr privaten Bild eine unbeschwerte Atmosphäre.

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

This artwork is meant to be viewed from right to left. Scroll left to view more.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 1. Line engraving (from Salomon Reinach, "Répertoire de peintures du moyen age et de la renaissance (1280–1580)," Paris, vol. 4, 1918, p. 652)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 2. Plate from Cesare Vecellio, "Habiti antichi et moderni," Venice, 1598

Fig. 3. Plate from Francesco Colonna, "Hypnerotomachia Poliphili," Venice, 1499

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 4. Before cleaning (from Bernard Berenson, "Lotto," 3rd ed., Milan, 1955, pl. 258)

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Fig. 5. Painting in frame: overall

Fig. 6. Painting in frame: corner

Fig. 7. Painting in frame: angled corner

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 8. Profile drawing of frame. W 6 9/16 in. 16.6 cm (T. Newbery)

Titel: Venus und Amor

Künstler: Lorenzo Lotto, Italien, ca. 1480–1556

Datum: Mitte der 1520er

Medium: Öl auf Leinwand

Dimensionen: 92,4 x 111,4 cm

Anerkennung: Neuerwerb, Geschenk von Mrs. Charles Wrightsman, zu Ehren von Marietta Tree, 1986

Akzession Nr.: 1986.138

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Black and white photograph of editorial assistant Nadja Hansen in The Met galleries

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