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A Party of Merrymakers

ca. 1635–38
Not on view
Viewers of the time would have taken in at a glance not only the off-key carousing but also signs—the fancy shoes, frizzy hair, open collar, and so on—that make the symbolic satyr redundant. Quast worked in the cosmopolitan milieus of Amsterdam and The Hague. His paintings and finished drawings reveal a broad knowledge of Dutch, Flemish, and French popular imagery (including Callot’s etchings) as well as the comic stage.

Artwork Details

Object Information
  • Title: A Party of Merrymakers
  • Artist: Pieter Jansz. Quast (Dutch, Amsterdam (?) 1605/6–1647 Amsterdam)
  • Date: ca. 1635–38
  • Medium: Oil on wood
  • Dimensions: 14 3/4 x 19 1/2 in. (37.5 x 49.5 cm)
  • Classification: Paintings
  • Credit Line: Bequest of Josephine Bieber, in memory of her husband, Siegfried Bieber, 1970
  • Object Number: 1973.155.1
  • Curatorial Department: European Paintings
More Artwork
The Mocking of Christ, Pieter Jansz. Quast  Dutch, Graphite and black chalk, brush and gray wash, on vellum
Pieter Jansz. Quast
1640
Soprano Recorder in B, Thomas Coenraet Boekhout  Dutch, Ebony, ivory, Dutch
Thomas Coenraet Boekhout
ca. 1700
Saint John on Patmos, Hans Baldung (called Hans Baldung Grien)  German, Oil, gold, and white metal on spruce
Hans Baldung (called Hans Baldung Grien)
ca. 1511
Shaffron (Horse's Head Defense), Steel, gold, leather, Dutch
Dutch
ca. 1620
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling  Netherlandish, Oil on oak
Hans Memling
ca. 1470

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