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La Orana Maria, (Gegrüßet seist Du, Maria)

Paul Gauguin French

1891

On view at The Met Fifth Avenue in Gallery 825

Bevor er mit einer Reihe von Bildern, inspiriert von polynesischen religiösen Ansichten, begann, widmete Gauguin sein erstes großes tahitisches Leinwandgemälde dem christlichen Thema, wie er in einem Brief im März 1892 beschrieb: „Ein Engel mit gelben Flügeln zeigt Maria und Jesus, beide Tahitier, zwei tahitischen Frauen, Akte gekleidet in Pareus, einer Art Stofftuch, das mit Blumenmuster bedruckt ist und um die Hüfte gewickelt wird. Sehr düsterer, bergiger Hintergrund und blühende Bäume." Der Titel dieses Werks bezieht sich auf die ersten Worte des Engels Gabriel an die Jungfrau Maria bei der Verkündung; "Ia orana" ist die übliche Begrüßung auf Tahiti.

#6009. La Orana Maria, (Gegrüßet seist Du, Maria)

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Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

Ia Orana Maria (Hail Mary), Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Oil on canvas

This artwork is meant to be viewed from right to left. Scroll left to view more.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 1. Paul Gauguin, Letter to Daniel de Monfreid, March 11, 1892 (Fondation Custodia, Collection Frits Lugt, Paris)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 2. Paul Gauguin, "Yellow Christ," 1889, oil on canvas, 36 1/4 x 28 7/8 inches (92.07 x 73.34 cm) (Albright-Knox Art Gallery, Buffalo)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 3. Anonymous, Dancers at the Javanese Village, 1889, albumen print (Bibliothèque historique de la ville de Paris, Paris Album 4029)

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Fig. 4. Anonymous, Relief from Temple at Borobudur, Java (Top register: The Tathagat Meets an Ajiwaka Monk on the Benares Road; bottom register: Merchant Maitraknayake Greeted by Nymphs), albumen photograph, 9 ¼ x 11 ½ in. (23.5 x 29.2 cm), formerly in the collection of Paul Gauguin (Musée de Tahiti et des îles/Te Fare Manaha, Tahiti)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 5. Anonymous, Relief from Temple of Borobudur, Java (Top register: The Assault of Mara; bottom register: Scene from the Bhallatiya-Jakata), albumen photograph, 9 ½ x 11 3/8 in. (24.1 x 28.9 cm), formerly in the collection of Paul Gauguin (Musée de Tahiti et des îles/Te Fare Manaha, Tahiti)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 6. Paul Gauguin,"Faa Iheihe," 1898, oil on canvas, 21 ¼ x 66 ¾ in. (54 x 169.5 cm) (Tate Modern, London)

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Fig. 7. Paul Gauguin, "Change of Residence," from the Suite of Late Wood-Block Prints, ca. 1899, woodcut printed in ochre and black on thin Japanese tissue pasted to ivory wove paper, 6 ½ x 11 7/8 in. (Art Institute of Chicago)

Titel: La Orana Maria, (Gegrüßet seist Du, Maria)

Künstler: Paul Gauguin, Frankreich, 1848–1903

Datum: 1891

Medium: Öl auf Leinwand

Dimensionen: 113,7 x 87,6 cm

Anerkennung: Nachlass Sam A. Lewisohn, 1951

Akzession Nr.: 51.112.2

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