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La table servie

1912
Not on view
Brother to the influential Dada artist Marcel Duchamp and the Cubist sculptor Raymond Duchamp-Villon, Gaston Duchamp [later Jacques Villon] was an accomplished illustrator and printmaker who took up with Cubist painters following an exhibition of their work at the Salon d'Automne in 1911. Cubists emphasized the two-dimensionality of imagery, fracturing objects into geometric forms and then realigning them in shallow, relief-like spaces.

"La table servie" is one of a fascinating series of paintings and works on paper preoccupied with the dining table set for lunch. Villon's subject evolved from a distant view of a table with objects resting on it to multiple views of the objects described in true Cubist fashion. On the unfolded tablecloth a meal is arranged, with an assortment of overlapping objects that undergo a thorough Cubist analysis: a carafe, a Chianti bottle, a bowl, a cup and saucer, a pitcher, a plate, and a bouquet of flowers. As distinct from other working sketches of the still life, the Lehman drawing is primarily a linear exercise, a study of line as it passes rhythmically through objects and space. The squared grid was used to transfer the complex distribution of objects to one of the related paintings in the series.

Artwork Details

Object Information
  • Title: La table servie
  • Artist: Jacques Villon (French, Damville 1875–1963 Puteaux)
  • Date: 1912
  • Culture: French
  • Medium: Graphite and black ink, squared in graphite
  • Dimensions: 11 7/16 x 15 7/16 in. (29.1 x 39.2 cm)
  • Classification: Drawings
  • Credit Line: Robert Lehman Collection, 1975
  • Object Number: 1975.1.753
  • Rights and Reproduction: © 2026 Artists Rights Society (ARS), New York
  • Curatorial Department: The Robert Lehman Collection
More Artwork
Monsieur le Sous-préfet, Jacques Villon  French, Gray wash and watercolor with traces of graphite on buff board, darkened
Jacques Villon
1901
Saint Peter's Seen From the Pincio, Rome, Henri-Joseph Harpignies  French, Pen and black ink, brush, gray and blue-gray washes
Henri-Joseph Harpignies
1856
Study of Eleven Heads, Jacques de Gheyn II  Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite
Jacques de Gheyn II
late 16th–early 17th century
Renée de face, Jacques Villon  French, Graphite and black crayon on brown tracing paper affixed to yellow mounting paper and mounted on stiff card
Jacques Villon
1911
Glass Horn, Glass, French
French
19th century

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