English
DonateMembershipTickets

The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ....

1712
Not on view
Dezallier d'Argénville's "La Théorie et la pratique du jardinage" became the standard international text of the grand French manner of garden design. First published in 1709, the treatise went through several editions and was translated into English by the architect and surveyor John James in 1712. James was one of the most experienced and dependable surveyors of his time; he has been associated with garden design because of this translation. One of the most interesting techniques presented in the book is the ha-ha, a hidden trench that acts as a barrier for grazing livestock without blocking the view of a landscape. Originally a French military invention, the ha-ha was frequently used in English eighteenth-century gardens. James's translation uses the original French term ah-ah: for it "surprises the Eye upon coming near it, and makes one cry, Ah! Ah! from whence it takes its Name." The Library's copy is bound in a contemporary brown calfskin, blind-tooled in a panel design, with all edges red.


Illustrated: pl. 4A, the general disposition of a garden of twelve acres

Artwork Details

Object Information
  • Title: The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ....
  • Author: Antoine Joseph Dézallier d'Argenville (French, Paris 1680–1765 Paris)
  • Date: 1712
  • Culture: London: printed by Geo. James, 1712
  • Medium: Illustrated book
  • Dimensions: H: 10 1/4 in. (26 cm)
  • Credit Line: Presented in memory of Daniel W. Langton, Landscape Architect, by Mrs. Langton
  • Object Number: 250 T34
  • Curatorial Department: Thomas J. Watson Library
More Artwork
L'Histoire naturelle éclaircie dans une de ses parties principales, la Conchyliologie, qui traite des coquillages de mer, de rivière et de terre, Antoine Joseph Dézallier d'Argenville  French, Two volumes in one, quarto; engraved frontispiece and 40 engraved plates with contemporary watercolor, sections with engraved headpieces, text ruled in red throughout
Author Antoine Joseph Dézallier d'Argenville
François Boucher
Engraver Quentin Pierre Chedel
1757
Division Viol, Richard Meares  British, Spruce, ebony, maple, British
labeled Richard Meares
ca. 1680
Album of Tournaments and Parades in Nuremberg, Pen and ink, watercolor, gold and silver washes; paper bound in gold-tooled leather, German, Nuremberg
German, Nuremberg
late 16th–mid-17th century
Division Viol, Barak Norman  British, Wood, British
Attributed to Barak Norman
1692
Book of the Gospels, Northern Highlands artist, Parchment (vellum), acacia wood, tempera, ink
Northern Highlands artist
late 14th–early 15th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.