[Studio Portrait: Self-Portrait Standing by a Mirror]

1860s

Not on view

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri　first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.

Artwork Details

Object Information

Overview

Signatures, Inscriptions, and Markings

Provenance

Title: [Studio Portrait: Self-Portrait Standing by a Mirror]
Artist: Pierre Petit (French, Aups 1832–1909 Paris)
Date: 1860s
Medium: Albumen silver print
Dimensions: Image: 9.4 x 5.6 cm Mount: 10.6 x 6.3 cm
Classification: Photographs
Credit Line: Gift of Drew Knowlton and William L. Schaeffer, 2017
Object Number: 2017.68.45
Curatorial Department: Photographs

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[Studio Portrait: Male Street Vendor Standing in Profile Holding Basket, Brazil]

Christiano Junior

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1864–66

[Studio Portrait: Self-Portrait Wearing Plaid Pants and Overcoat], Pierre Petit French, Albumen silver print — [Studio Portrait: Self-Portrait Wearing Plaid Pants and Overcoat]
Pierre Petit
1860s

Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec French, Lithograph printed in four colors; three sheets of wove paper — Moulin Rouge: La Goulue
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891

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