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Bacchanale

1767
Not on view
Moreau was from a family of artists and began his training young, entering the studio of Louis Joseph le Lorrain. He was granted a prestigious series of appointments in the royal household and is responsible for a prodigious output of works on paper, chronicling court events and creating designs for fashion plates and book illustrations. His work was frequently exhibited at Salons both before and after the French revolution. Unlike many of his surviving drawings, this large watercolor bacchanal was likely executed as an autonomous work, rather than as a model for a print.

Artwork Details

Object Information
  • Title: Bacchanale
  • Artist: Jean Michel Moreau le Jeune (French, Paris 1741–1814 Paris)
  • Date: 1767
  • Medium: Pen and black ink and watercolor, over traces of black chalk, heightened with white
  • Dimensions: Sheet: 22 1/8 × 17 3/4 in. (56.2 × 45.1 cm)
  • Classification: Drawings
  • Credit Line: Gift of Stephen A. Geiger, in memory of his parents, Mildred K. Geiger and Howard W. Geiger, 2018
  • Object Number: 2018.139
  • Curatorial Department: Drawings and Prints
More Artwork
Design for the Engraving "Réjouissances du Peuple . . . à Reims le 27 aout 1765", Jean Michel Moreau le Jeune  French, Pen and black ink, brush and black and gray wash
Jean Michel Moreau le Jeune
1767
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
The Lictors Bringing Brutus the Bodies of his Sons, Jacques Louis David  French, Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache
Jacques Louis David
1787
The Sacrifice of Iphigenia, Jean Michel Moreau le Jeune  French, Brush and brown ink with brown wash
Jean Michel Moreau le Jeune
1810
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century

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