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The Sacrifice of Polyxena, after Pietro da Cortona

ca. 1759–70
Not on view
This black chalk drawing is a copy after a painting by Pietro da Cortona of 1623-24, formerly in the Sacchetti palace and now in Pinacoteca Capitolina, Rome (inv. 153). Ango is a largely forgotten French artist who made a living in eighteenth-century Rome by producing chalk copies for patrons. This was one of many acquired by the abbé de Saint Non, who would later publish a compendium of etchings after the paintings and antiquities he had seen in Italy.

The museum owns a related drawing, The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri (61.234), possibly once mounted together with this one.

Artwork Details

Object Information
  • Title: The Sacrifice of Polyxena, after Pietro da Cortona
  • Artist: Jean Robert Ango (French, active Rome, 1759–70, died after 1773)
  • Artist: After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
  • Date: ca. 1759–70
  • Medium: Black chalk
  • Dimensions: Sheet: 5 1/2 × 8 7/16 in. (14 × 21.5 cm)
  • Classification: Drawings
  • Credit Line: Gift of the Eugene V. and Clare E. Thaw Charitable Trust, 2019
  • Object Number: 2019.18.2
  • Curatorial Department: Drawings and Prints
More Artwork
The Cumaean Sibyl (after Michelangelo), Jean Robert Ango  French, Red chalk
Jean Robert Ango
After Michelangelo Buonarroti
1767
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), Adélaïde Labille-Guiard  French, Red, black, and white chalk on toned laid paper
Adélaïde Labille-Guiard
Sitter Marie Gabrielle Capet
1789
Scene of Martyrdom, after Giovanni Angelo Canini, Jean Robert Ango  French, Red chalk, over traces of black chalk
Jean Robert Ango
After Giovanni Angelo Canini
The Archangel Gabriel announcing the birth of Christ, Lucas van Leyden  Netherlandish, Pen and brown ink; squared in black chalk; framing lines in pen and brown ink
Lucas van Leyden
1520s
The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri, Jean Robert Ango  French, Black chalk; framing lines in pen and brown ink
Jean Robert Ango

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