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1867, 1990

This article is part of From the Vaults, a series that shines a light on the Museum’s audiovisual archive.

Edouard Manet painted the 1867 execution of Emperor Maximilian of Mexico four times. This enigmatic short film imagines the French painter’s interior monologue as he works the scene’s details, offering a speculative window into his creative process. Comprising a single, uninterrupted shot, the film tracks the artist’s influences—from Goya to Ukiyo-e prints—and shows how he recreated the scene with models in the studio. Today, Manet’s canvases can be found at the Museum of Fine Arts, Boston; the National Gallery, London, the Ny Carlsberg Glyptotek, Copenhagen; and the Städtische Kunsthalle, Mannheim. Directed by Ken McMullen.


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Max Becher
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