Wir arbeiten daran, diese Seite so schnell wie möglich zu übersetzen. Vielen Dank für Ihr Verständnis.

Orhan Pamuk: The Painterly Practice of a Novelist

Nobel Prize-winning writer Orhan Pamuk likes to visit The Met every Friday and Saturday evening to enjoy the “museum-ness” of the Museum. Join Mr. Pamuk for a look at the works that have inspired his writing for many years as he relays his journey from painter to writer and back again.

Painting of a hunter slaying a horned creature, with vignettes of other figures on horseback

Author: Abu'l Qasim Firdausi (ca. 940/41–1020); Painting attributed to 'Abd al-'Aziz (Iran, 16th century); Workshop director: Aqa Mirak (Iran, 16th century). "Bahram Gur Slays the Rhino-Wolf", Folio 586r from the Shahnama (Book of Kings) of Shah Tahmasp (Iran, Tabriz, ca. 1530–35). Watercolor, ink, silver, and gold on paper. The Metropolitan Museum of Art, New York, Gift of Arthur A. Houghton Jr., 1970 (1970.301.65)


Further Reading

Memories of Distant Mountains: Illustrated Notebooks 2009 - 2022 by Orhan Pamuk.

Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York, and in Canada by Alfred A. Knopf Canada, a division of Penguin Random House Limited, Toronto. Originally published in Turkey as Uzak Daglar ve Hatiralar by Yapi Kredi Yayinlan, Istanbul, in 2022.

Copyright @ 2022 by Orhan Pamuk.

English translation copyright @ 2024 by Ekin Oklap

Images and excerpts from Memories of Distant Mountains: Illustrated Notebooks 2009 - 2022 courtesy of Orhan Pamuk.


Met security guard Armia Khalil crosses his arms and smiles while standing across from his artwork in gallery, a carved bust of a woman with a scarab in her hair.
Video
A chance encounter and a friendly chat led to the inclusion of Armia Malak Khalil’s art in a major Met exhibition.
January 23, 2025
A bearded man wearing a sweater with stripes, glasses, and an orange beanie smiles while holding up a fabric with a multicolored diamond pattern.
Video
Join designer Todd Oldham behind the scenes at The Met’s Costume Institute.
November 21, 2024
Writer Amor Towles looks upwards to his right at a statue. Two other statues, set on pedestals, are visible in the background
Video
For writer Amor Towles, The Met is not just one museum, but many.
October 7, 2024
More in:LiteratureInspirationReflections

A slider containing 11 items.
Press the down key to skip to the last item.
Water Lilies, Claude Monet  French, Oil on canvas
Claude Monet
1916–19
Wheat Field with Cypresses, Vincent van Gogh  Dutch, Oil on canvas
Vincent van Gogh
1889
Ancient Rome, Giovanni Paolo Panini  Italian, Oil on canvas
Giovanni Paolo Panini
1757
Modern Rome, Giovanni Paolo Panini  Italian, Oil on canvas
Giovanni Paolo Panini
1757
Piazza San Marco, Canaletto (Giovanni Antonio Canal)  Italian, Oil on canvas
Canaletto (Giovanni Antonio Canal)
late 1720s
"Siyavush Recounts His Nightmare to Farangis", Folio 195r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Qadimi
Workshop director Mir Musavvir
ca. 1525–30
"Zal Consults the Magi", Folio 73v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Sultan Muhammad
Workshop director Sultan Muhammad
ca. 1530–35
"Tahmuras Defeats the Divs", Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Sultan Muhammad
ca. 1525
"Bahram Gur Slays the Rhino-Wolf", Folio 586r from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to 'Abd al-'Aziz
Workshop director Aqa Mirak
ca. 1530–35
"Kai Khusrau is Discovered by Giv", Folio 210v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Qadimi
ca. 1525–30
"Surkha Captured by Faramarz is Condemned by Rustam", Folio 204v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Qasim ibn 'Ali
Workshop director Mir Musavvir
ca. 1525–30