Prisoner
Based on the appearances of the younger figures, Penny has ascribed the series to an unidentified Northern goldsmith. The V&A assigns the silvers to Southern Germany circa 1600. Considered on its own, our bronze might be Italian, and in particular Roman, as Draper suggested, but not when placed in the context of the group. The younger overly expressive figures are clearly a product of the other side of the Alps, and it is improbable that the sole Met prisoner was cast after an Italian model. We can say with fair certainty that the figures were produced at the turn of the seicento, perhaps to be mounted on a precious cabinet, but the entire group and its function deserve further investigation.
-FL
Footnotes
(For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.)
1. V&A, A.158-1910–161-1910; Ashmolean, WA1888.CDEF.B435–436; see Penny 1992, vol. 2, p. 179.
2. V&A, A.159-1910, A.161-1910; see ibid.
Artwork Details
- Title: Prisoner
- Date: late 16th–early 17th century
- Culture: Possibly northern Europe
- Medium: Bronze, later fire gilding
- Dimensions: Height: 5 in. (12.7 cm)
- Classification: Sculpture-Bronze
- Credit Line: The Jack and Belle Linsky Collection, 1982
- Object Number: 1982.60.103
- Curatorial Department: European Sculpture and Decorative Arts
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