Pendant with Saint George and the Dragon
The central motif of this romantic evocation of a Renaissance jewel was probably inspired by a sixteenth century pendant such as the Saint George in the collection of the Grünes Gewölbe in Dresden. This Renaissance-style motif is attached to an openwork roundel, and it is repeated as though seen from the back on the reverse side of the roundel, but in a flat, linear style that seems to have no parallel in a sixteenth-century jewel. While the technique of enameling is not the same, the effect achieved resembles French plique-à-jour enamels of about 1900; but the jewel is perhaps closest in style to turn-of-the-century graphic art—for example, the book illustrations by Arthur Rackham for Grimm’s fairy tales of the Wagnerian legends.
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