Male figure

13th century
On view at The Met Fifth Avenue in Gallery 341
On the right shoulder of this bearded elder is a domolo, a wooden staff employed variously as a weapon, tool, and ritual object; a sheathed knife is strapped to his left shoulder. The style in which he is rendered relates the figure to a corpus of fired-clay and cast-metal creations from the Middle Niger valley. As evidenced by its preservation, this work was likely produced in the arid Bandiagara Escarpment. Wood artifacts from artistic centers that were subject to annual flooding, such as Jenne-Jeno, have not survived.

The populations of the ancient states of Ghana and Takrur, situated west of the Niger River, were predominantly composed of Soninke speakers, who are credited with establishing trade routes in the interior of West Africa. At the start of the second millennium CE, a series of developments—including the conquest of ancient Ghana, the opening of new gold fields along the frontier of present-day Mali and Guinea, and severe droughts—led the Soninke to venture farther south. Their interactions with Bamana and Malinke communities stimulated trade networks and led to the formation of new states. Some Soninke communities likely resettled in the nearby Bandiagara Escarpment, where they engaged with established Tellem and Dogon groups. This work is among the sculptural figures with pronounced facial features, braided coiffures, and elaborately patterned textiles produced by Soninke blacksmiths living on the plateau.

Artwork Details

Object Information
  • Title: Male figure
  • Artist: Soninke blacksmith
  • Date: 13th century
  • Geography: Mali
  • Culture: Soninke peoples (?)
  • Medium: Wood, oil
  • Dimensions: H. 25 3/8 x W. 3 7/8 x D. 4 5/8 in. (64.5 x 9.9 x 11.8 cm)
  • Classification: Wood-Sculpture
  • Credit Line: Gift of Lester Wunderman, 1985
  • Object Number: 1985.422.2
  • Curatorial Department: The Michael C. Rockefeller Wing

Audio

Cover Image for 1531. Male figure, Dogon blacksmith

1531. Male figure, Dogon blacksmith

Roderick McIntosh

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ANGELIQUE KIDJO (NARRATOR): Oral traditions have played a critical role in the transfer of knowledge in many African societies. This depiction of a bearded elder holding a wooden staff over his shoulder is a material artifact of the deep history that unfolded in present-day Mali. Archaeologist Roderick McIntosh, Professor emeritus at Yale University, summarizes the standard narrative of events, according to the oral traditions.

RODERICK MCINTOSH: At the decline of the Ghana Empire, sometimes put between the eighth century AD and the tenth century AD, there was waves of people called Soninke who moved out of the core area for the Empire of Ghana, which would have been what’s the southern Sahara now.

The Dogon say they started in an area called Mande, around the border between Guinea and Mali. And at the end of the Mali Empire, so this is going back to the fifteenth century, the traditions are that they either moved right into the escarpment itself and found the Tellem there, or they stayed for some time in the middle Niger.

ANGELIQUE KIDJO: Sifting through different forms of information, the research of scholars such as McIntosh seek to reconcile physical forms of evidence with these oral histories.

RODERICK MCINTOSH: I think there’s an argument to be made as an alternative to that standard chronology, which was basically the Dogon have been living there without interruption for the longest time, but with a lot of additions of people coming in and a lot of trade contacts with the larger Sahel, and that the Dogon were always traveling to other places.

I think it’s a much more dynamic scene, where people are moving back and forth. There’s cultural contact that should be seen in the material culture. So often the histories that are recorded in the oral traditions are about kings and conquests and all those sorts of things, but the lives of everyday people kind of go on and are expressed in the little broken pieces of pottery that archaeologists deal with.

###

Music:
“Daande Lenol”
Performed by Baaba Maal
Courtesy of Island Records under license from Universal Music Enterprises

“Daande Lenol”
Words and Music by Baaba Maal
(c) Universal Songs of Polygram Int., Inc. on behalf of Universal/Island Music Ltd. (BMI)

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