Piso sanalenggam (sword)
This piso sanalenggam has a single-edged metal blade and a handle of water buffalo horn finely carved in the shape of a human figure. Conforming to the horn's natural curve, the kneeling figure tilts slightly forward, his attenuated arms embracing bent knees. The smoothness of the front surface contrasts sharply with the textured back richly decorated in low-relief geometric and foliate patterns. Renowned for their skill in warfare, the Batak used a stunning array of weapons, including several kinds of swords and knives. Because of the frequency of feuds among different Batak groups, the manufacture of metal blades was in former times the blacksmith's most important task, while handles appear to have been carved by other specialists.
Swords of this type are usually associated with Toba and Pakpak Batak, two of the six groups among the Batak peoples of northern Sumatra. Living in the mountainous highlands surrounding Lake Toba (the birthplace of the Batak, according to oral histories and myths), the Batak maintained trade relations with their Malay neighbors living on the coast but otherwise remained relatively isolated until the 18th and 19th centuries when Dutch and British traders, along with German missionaries, established operations in Sumatra. Although nearly all Batak today are Christian or Muslim, they formerly recognized diverse supernatural beings, including deities, ancestors, and malevolent spirits. The primary religious figures in Batak society were male ritual specialists, called datu by the Toba Batak, who acted as intermediaries between the human and spiritual worlds. Much of Batak sacred art centered on the creation and adornment of objects—including the piso sanalenggam—that would be used by the datu for divination, curing ceremonies, malevolent magic, and other rituals. Among the most important objects were ceremonial staffs, books of ritual knowledge, and a variety of containers used to hold magical substances.
References
Florina H. Capistrano-Baker, Art of Island Southeast Asia. The Fred and Rita Richman Collection in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1994, p. 66, fig. 31
Sibeth, Achim. The Batak. London: Thames and Hudson, 1991.
Swords of this type are usually associated with Toba and Pakpak Batak, two of the six groups among the Batak peoples of northern Sumatra. Living in the mountainous highlands surrounding Lake Toba (the birthplace of the Batak, according to oral histories and myths), the Batak maintained trade relations with their Malay neighbors living on the coast but otherwise remained relatively isolated until the 18th and 19th centuries when Dutch and British traders, along with German missionaries, established operations in Sumatra. Although nearly all Batak today are Christian or Muslim, they formerly recognized diverse supernatural beings, including deities, ancestors, and malevolent spirits. The primary religious figures in Batak society were male ritual specialists, called datu by the Toba Batak, who acted as intermediaries between the human and spiritual worlds. Much of Batak sacred art centered on the creation and adornment of objects—including the piso sanalenggam—that would be used by the datu for divination, curing ceremonies, malevolent magic, and other rituals. Among the most important objects were ceremonial staffs, books of ritual knowledge, and a variety of containers used to hold magical substances.
References
Florina H. Capistrano-Baker, Art of Island Southeast Asia. The Fred and Rita Richman Collection in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1994, p. 66, fig. 31
Sibeth, Achim. The Batak. London: Thames and Hudson, 1991.
Artwork Details
- Title: Piso sanalenggam (sword)
- Artist: Toba Batak artist
- Date: late 19th–early 20th century
- Geography: Indonesia, Sumatra
- Culture: Toba Batak
- Medium: Water buffalo horn, copper/zinc alloy (handle), lead, iron alloy (blade)
- Dimensions: H. 3 × W. 1 1/4 × L. 21 3/4 in. (7.6 × 3.2 × 55.2 cm)
- Classifications: Bone/Ivory-Implements, Ivories-Horn, Metal-Implements
- Credit Line: Gift of Fred and Rita Richman, 1988
- Object Number: 1988.143.24
- Curatorial Department: The Michael C. Rockefeller Wing
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Toba Batak artist
late 19th–early 20th century
Toba Batak artist
19th–early 20th century
Toba Batak artist
late 19th–early 20th century
Toba Batak artist
late 19th–early 20th century
Toba Batak artist
late 19th–early 20th century
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