Sartain's Union Magazine of Literature and Art, vols. 4-5

Various artists/makers

Not on view

12 monthly issues bound together, 389 pp., indexes at the back, published Philadelphia.
Illustrations:
Vol. 4:
Frontispiece: The Annunciation to the Shepherds, John Sartain after John Martin.
2nd frontispiece: The Mother and Child, John Sartain after William Page.
Title page: Liberty Introducing the Arts to America, John Sartain after Henry Corbould.
foll. p. 80: The First Appeal, Alexander Hay Ritchie after Frank Stone.
foll. p. 80: Preaching of John the Baptist, John Sartain after Henry Warren.
foll. p. 80: Portrait of Thomas Carlyle (1795-1881), after Count Alfred D'Orsay.
foll. p. 160: The Moment of Suspense, John Sartain after Richard Westall.
foll. p. 160: Udine, John Sartain after Charles Louis Müller.
foll. p. 160: Spring Fashion for 1849, engraved by W. S. Barnard, New York.
foll. p. 160: The Pool of Siloam, wood engraving (no artist).
foll. p. 160: Old Wrecks, Alias Ricketts (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), wood engraving, Leslie & Travers after F.O.C. Darley.
foll. p. 160: A Ball by Moonlight, in Utopia (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), wood engraving, after F.O.C. Darley.
p. 173: Poem by Edgar Allan Poe, "A Valentine, To___."
foll. p. 224: Return from the Warren, Rice & Buttre after Edwin Landseer.
foll. p. 224: Esmerelda, John Sartain after Carl von Steuben.
foll. p. 224: The setting up of the Tabernacle in the Wilderness, wood engraving (no artist).
foll. p. 288: Ruth and Boaz, John Sartain after Peter Frederick Rothermel.
foll. p. 288: The Doves, Rice & Buttre, after Count Alfred D'Orsay.
foll. p. 288: Nazareth, wood engraving (no artist).
foll. p. 288: Dan Tucker in Love (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), wood engraving, Leslie & Travers after F.O.C. Darley.
foll. p. 288: "Every Horseman now whipped and spurred his mount" (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), wood engraving, Leslie & Travers after F.O.C. Darley.
foll. p. 352: The Roman Scrivener, John Sartain after Samuel B. Waugh.
foll. p. 352: The Prophesy of the Flower, H. E. Tripler and John Bannister after John Phillip.
foll. p. 352: Ramah, or Arimathea, wood engraving (no artist).
foll. p. 352: "Thus they continued..." (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), Leslie & Travers after F.O.C. Darley.
foll. p. 416: The Nightmare, Samuel Sartain after John Fuseli.
foll. p. 416: The Cantatrice, Rice & Buttre after A. Valentine.
foll. p. 416: The River Jordan, wood engraving by Devereaux.
foll. p. 416: "One night, as Heatty ushered her into her bedroom..." (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), Childs & Jocelyn after F.O.C. Darley.
foll. p. 416: "Even its playfulness..." (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), Leslie & Travers after F.O.C. Darley.
Vol. 5:
foll. p. 64: The Independent Voter, Rice & Buttre after C. Hancock.
foll. p. 64: The Serenade, color wood engraving by Devereaux (discussed by Sartain in Editorial, p. 123: "Block Printing in Colors").
foll. p. 64: Portrait of Theobald Matthew (1790-1856), engraved by John Sartain, transferred to stone by Duval.
foll. p. 64: Cedars of Lebanon, wood engraving by Devereaux.
foll. p. 64: Wild Bill, Walter and Utopia (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), Leslie & Travers after F.O.C. Darley.
foll. p. 128: Christ Weeping Over Jerusalem, John Sartain after Charles Lock Eastlake.
foll. p. 128: Won't You Come Along, John Bannister after Andre.
foll. p. 128: Walter Tucker, Frank Hooper and Uncle Job at the Swamp Inn (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), wood engraving, Leslie & Travers after F.O.C. Darley.
foll. p. 128: Wilderness of Sin, wood engraving by Devereaux.
foll. p. 192: The Snake in the Grass, John Sartain after Sir Joshua Reynolds.
foll. p. 192: Jacob & Rachael, H. E. Tripler after Frédéric Henry Schopin.
foll. p. 192: Uncle Job Carrying Off Dr. Ribs (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), wood engraving, Leslie & Travers after F.O.C. Darley.
foll. p. 192: Defiles of Edom, wood engraving by Devereaux.
foll. p. 192: Early Sorrow, wood engraving, W.B.G. after Frederick William Hulme.
foll. p. 256: The Fountain of Vaucluse, John Sartain after Aimée Brune Pages.
foll. p. 256 [Woman seated in a landscape with two hounds], Rice & Buttre after Alfred de Dreux.
foll. p. 256: Good Management, wood engraving, Leslie & Travers.
foll. p. 256: The White Doe of Rylstone (poem by Wordsworth), wood engraving by William B. Gihon sc.
foll. p. 256: The Sluggard's Home (poem by Dr. Watts), wood engraving (no artist).
p. 304: Edgar Allan Poe, "The Bells" (first appearance of the poem in its final form), discussed in Editorial, p. 386.
foll. p. 320: The Brothers, John Sartain after William (?) Salter.
foll. p. 320: The Rustic Wreath, Rice & Buttre after William Frederick Witherington.
foll. p. 320: Luther Amongst his family at Wittenberg on Christmas, 1550, John Bannister after Carl August Schwerdgeburth.
foll. p. 320: Walter Tucker and Zip Coon Attacked by Pirates (from Adventures of Old Dan Tucker and his son Walter, a Tale of North Carolina, by C. H. Wiley), wood engraving, Leslie & Travers after F.O.C. Darley.
foll. p. 320: The Castle of Indolence (poem by James Thomson), wood engraving, engraved by W. B. Gihon.

No image available

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.