A Connoisseur and Tired Boy

Engraver Philip Dawe British
After Henry Robert Morland British
Publisher Robert Sayer British

Not on view

painted landscape, with the yawns of a boy who must support the heavy frame. The work belongs to a type of night-piece popular in Europe since the seventeenth century in Europe, where artists depicted forms dramatically lit by a single, often hidden, light source. The Met's collection also includes a smaller anonymous version of this mezzotint published in 1776 (62.659.4).
The artist Henry Morland published a description of his related painting in 1775: "An Italian Connoisseur and tired boy. The connoisseur is an admirer of no pictures but Italian, therefore his taste is greatly affronted on being shown a Dutch picture; nevertheless his attention is engaged by some effect he sees in the landscape - has forgotten the boy, who is tired with holding the picture in a heavy frame, which he is just ready to drop."

No image available

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.