The Adoration of the Magi
Having followed the star gleaming brightly in the sky above, the three kings (or magi) and their retinues have arrived to pay tribute to the Holy Family who have taken shelter at a dilapidated stable. Mary, Joseph and the Christ Child are seated in the center of the composition, outside the stable, illuminated by the star, as one of the kings kneels before them. He has given the chalice to Mary but still holds its lid between his fingers as he grasps the Child who blesses him. A second king stands at the right center, his back to the viewer and he is in darkness except for his turban and the elaborately decorated vessel he holds in his hands. The third king is a shorter, less imposing figure standing at the right. He wears a small crown, holds a covered bowl and is fully illuminated by the star.
Jan Muller was one of the most sought-after Mannerist printmakers, engraving compositions of the leading artists of the late sixteenth and early seventeenth centuries. In the mid- to late 1590s and early 1600s, he made a handful of spectacular night scenes, including the Last Supper after Gillis Coignet (2018.839.109), the Dead Christ Lamented by an Angel after Jacopo Ligozzi (61.658.11), The Raising of Lazarus after Abraham Bloemart (49.95.578) and two original designs by Muller, Belshazzar’s Feast (51.501.6341) and the present work. Instead of the flamboyant engraving technique he used in his prints after the Dutch Mannerists and artists from the court of Prague and these prints are characterized by longer, finer lines and extremely close cross-hatching to create the dense blackness from which the highlights can shine. Wider spaced hatching and cross-hatching provide the middle tones.
Jan Muller was one of the most sought-after Mannerist printmakers, engraving compositions of the leading artists of the late sixteenth and early seventeenth centuries. In the mid- to late 1590s and early 1600s, he made a handful of spectacular night scenes, including the Last Supper after Gillis Coignet (2018.839.109), the Dead Christ Lamented by an Angel after Jacopo Ligozzi (61.658.11), The Raising of Lazarus after Abraham Bloemart (49.95.578) and two original designs by Muller, Belshazzar’s Feast (51.501.6341) and the present work. Instead of the flamboyant engraving technique he used in his prints after the Dutch Mannerists and artists from the court of Prague and these prints are characterized by longer, finer lines and extremely close cross-hatching to create the dense blackness from which the highlights can shine. Wider spaced hatching and cross-hatching provide the middle tones.
Artwork Details
- Title: The Adoration of the Magi
- Artist: Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam)
- Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540–1617 Amsterdam)
- Date: 1598
- Medium: Engraving; New Holl.'s fourth state of four
- Dimensions: Sheet: 13 9/16 × 17 3/16 in. (34.5 × 43.6 cm)
- Classification: Prints
- Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
- Object Number: 51.501.6340
- Curatorial Department: Drawings and Prints
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