The Straw Yard, part II, plate 7 from "Liber Studiorum"

Designed and etched by Joseph Mallord William Turner British
 Engraved and published by Charles Turner British

Not on view

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a rustic scene, which the artist himself referred to as "The White Horse." In front of a thatched barn, men load bales onto a haystack near resting horses. The letter "P" in the upper margin indicates Turner's category of Pastoral landscape.

The Straw Yard, part II, plate 7 from "Liber Studiorum", Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Etching, mezzotint, and drypoint; first state of four

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.