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Putti Playing with Hoops (Cartoon for a Fresco in Parma Cathedral)

ca. 1548
Not on view
In this rare, monumental cartoon (full-scale drawing), a group of pleasingly plump children arranged in a frieze-like composition plays with hoops. The outlines of the figures are pricked with small holes, indicating the transfer of the design by means of pouncing, a technique by which the perforated outlines are rubbed with charcoal dust. This leaves a dotted outline on the underlying surface that can serve as the guideline for a painting or another drawing. A sometime collaborator of Correggio and Parmigianino, Anselmi used this cartoon to paint the decorative border of a fresco on the vault of the south transept of Parma Cathedral in 1548. His manner of drawing is bold and expressive, with some visibly rough strokes of hatching in the modeling, as the design was meant to be seen from a distance rather than inspected at close range. The decoration currently adorning the transept, executed in tempera in 1768, is the work of Antonio Bresciani assisted by Gaetano Ghidetti, however, the entire design of the eighteenth-century vault must have been based on Anselmi's then presumably very damaged frescoes. Following Anselmi's death, the decoration of the vault was completed in its counterpart in the north transept around 1570 by Orazio Samacchini, by whom the Museum owns a design for one of the spandrels (no. 1971.66.6).

Artwork Details

Object Information
  • Title: Putti Playing with Hoops (Cartoon for a Fresco in Parma Cathedral)
  • Artist: Michelangelo Anselmi (Italian, Siena or Lucca (?) 1492–1556 Parma)
  • Date: ca. 1548
  • Medium: Black chalk; outlines pricked for transfer
  • Dimensions: Sheet: 22 × 24 13/16 in. (55.9 × 63 cm)
    Mount: 22 9/16 × 25 11/16 in. (57.3 × 65.2 cm)
  • Classification: Drawings
  • Credit Line: Purchase, Harris Brisbane Dick Fund, and Mr. and Mrs. David M. Tobey and Malcolm Hewitt Wiener Foundation Gifts, 2013
  • Object Number: 2013.117
  • Curatorial Department: Drawings and Prints
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A Seated Saint Reading from a Book, Francesco Botticini (Francesco di Giovanni)  Italian, Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; outlines reinforced in brown ink, perhaps in the 15th or early 16th century.
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Annunciation with Beato Bernardo Tolomei di Siena, Anonymous, Italian, 19th century , copy after 16th century Italian, Pen with brown and black inks, brush and brown wash, over graphite; outlines selectively pricked and incised with a stylus; verso has been blackened with black chalk.
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