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Vignette, Volume IV, Canto XXVIII, Page 171, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.

Pietro Antonio Martini Italian
After Jean Michel Moreau le Jeune French
Author Ludovico Ariosto Italian

1773–74

Not on view

Fiametta kneels before Giocondo and the King of Lombardy.

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Title: Vignette, Volume IV, Canto XXVIII, Page 171, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.

Series/Portfolio: Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.

Artist: Pietro Antonio Martini (Italian, Trescali 1738–1797 Parma)

Artist: After Jean Michel Moreau le Jeune (French, Paris 1741–1814 Paris)

Author: Ludovico Ariosto (Italian, Reggio Emilia 1474–1533 Ferrara)

Date: 1773–74

Medium: Etching and engraving; third state of seven (Bocher)

Dimensions: Sheet: 8 1/8 × 5 1/16 in. (20.7 × 12.8 cm)

Classification: Prints

Credit Line: Gift of Joseph Verner Reed, 1964

Accession Number: 64.542.232

Chronology

France, 1600-1800 A.D.

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Visiting Sleeping Beauties: Reawakening Fashion?

Vignette, Volume IV, Canto XXVIII, Page 171, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.

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France, 1600-1800 A.D.

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Visiting Sleeping Beauties: Reawakening Fashion?

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Vignette, Volume IV, Canto XXVIII, Page 171, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.

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Artwork Details

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