Odalisque with Gray Trousers

1927
On view at The Met Fifth Avenue in Gallery 823
Notwithstanding their kinship with earlier works by Ingres and Delacroix, the harem pictures Matisse made in Nice, such as this odalisque of 1927, had a more practical basis. As Matisse explained: "I paint odalisques in order to paint the nude. Otherwise, how is the nude to be painted without being artificial? But also, I know they exist. I was in Morocco. I saw them."

Artwork Details

Object Information
  • Title: Odalisque with Gray Trousers
  • Artist: Henri Matisse (French, Le Cateau-Cambrésis 1869–1954 Nice)
  • Date: 1927
  • Medium: Oil on canvas
  • Dimensions: 25 5/8 in. × 32 in. (65.1 × 81.3 cm)
  • Classification: Paintings
  • Credit Line: The Walter H. and Leonore Annenberg Collection,
    Gift of Walter H. and Leonore Annenberg, 1997,
    Bequest of Walter H. Annenberg, 2002
  • Object Number: 1997.400
  • Rights and Reproduction: © 2025 Succession H. Matisse / Artists Rights Society (ARS), New York
  • Curatorial Department: Modern and Contemporary Art

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Cover Image for 6408. Odalisque with Gray Trousers

6408. Odalisque with Gray Trousers

Gallery 823

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Generations of French artists were enthralled with the pictorial possibilities of what they called the Orient. This infatuation with the East was called Orientalism. And many Orientalist pictures represent the female nude. This Orientalist painting by Henri Matisse, dating from the late 1920s, shows an odalisque, naked except for a pair of gray trousers, reclining in an exotic interior.

Although his choice of subject was clearly legitimized by the venerable pedigree of nineteenth-century Orientalism, Matisse, like Delacroix before him, had actually traveled to Northern Africa in the early nineteen-teens. Thus, he attempted to justify his engagement with the theme on more immediate, less exalted grounds. "I paint odalisques in order to paint the nude," he said, "and also because I know it exists. I was in Morocco. I saw it."

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