Gratefully built with ACNLPatternTool
Not on view
This print is from a series executed by Paolo Toschi and his pupils after the frescoes by Correggio and Parmigianino at Parma. The print was executed by Gaetano Silvani, Antonio Dalco and Paolo Toschi. The intermediary draughtsmen of this print are Girolamo Fanti, Carlo Raimondi and Paolo Toschi.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title: Two putti, with an allegorical representation of Abundance in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Artist:
Paolo Toschi (Italian, Parma 1788–1854 Parma)
Artist:
Antonio Dalco (Italian, 1802–1888)
Artist:
Gaetano Silvani (Italian, Parma 1798–1879 Parma)
Artist:
After Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio)
Artist:
Intermediary draughtsman Girolamo Fanti (Italian, 1818–1860)
Artist:
Intermediary draughtsman Carlo Raimondi (Italian, Bocche di Cattoro 1809–1883 Parma)
Artist:
Intermediary draughtsman Paolo Toschi (Italian, Parma 1788–1854 Parma)
Printer:
C. Frassinetti (Italian, active ca. 1845–68)
Date: ca. 1846
Medium: Etching and engraving
Dimensions:
Sheet: 30 9/16 × 21 9/16 in. (77.6 × 54.8 cm)
Plate: 17 5/16 × 12 in. (43.9 × 30.5 cm)
Classification: Prints
Credit Line: Gift of Alice C. Taft, Hope Smith, Marianna F. Taft, Helen Head, and Brockholst M. Smith, 1945
Object Number: 45.78.189
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
