Studies of Men's Arms, from Principles of Drawing

republished in 1659

Not on view

This print is contained in a book of twenty plates of etchings by Jacopo Palma the Younger, first published in Venice in 1608 in collaboration with Odoardo Fialetti. The prints were then published by Giacomo Franco in 1611 and Marcus Sadeler in 1636. This later edition was published by Stefano Scolari in 1659.

Artwork Details

Object Information

Overview

Signatures, Inscriptions, and Markings

Provenance

Catalogue Raisonné

Title: Studies of Men's Arms, from Principles of Drawing
Series/Portfolio: Principles of Drawing
Artist: Jacopo Palma the Younger (Italian, Venice ca. 1548–1628 Venice)
Publisher: Stefano Scolari (Italian, born Brescia, active Venice, ca. 1640–1691)
Published in: Venice
Date: republished in 1659
Medium: Etching
Dimensions: Sheet: 13 11/16 × 9 3/4 in. (34.7 × 24.8 cm)
Plate: 10 9/16 × 7 1/4 in. (26.9 × 18.4 cm)
Classification: Prints
Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
Object Number: 49.35.2(2)
Curatorial Department: Drawings and Prints

More Artwork

By Jacopo Palma the Younger

In the same medium

From the same time and place

'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates), Jacopo Palma the Younger Italian, Etching — 'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates)
Jacopo Palma the Younger
Publisher Stefano Scolari
Publisher Marcus Sadeler
1636 (republished 1659)

The Crucifixion, Jacopo Palma the Younger Italian, Oil on canvas — The Crucifixion
Jacopo Palma the Younger

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee, Jacopo Palma the Younger Italian, Pen and brown ink, over black chalk — Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee
Jacopo Palma the Younger
1548–1628

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.