Pair of Torah finials (rimonim)
Though they were acquired separately, the finials belong to the same ensemble as the Met’s Torah Crown (2013.443), reunited here for the first time since the 1960s. The maker, Andrea Zambelli, is known to have produced a wide range of ritual Judaica as well as religious silver for the local churches. A later inscription in Hebrew documents that the "crown of glory" [Isaiah 28:5] and its accompanying finials were given by the philanthropist and president of the Jewish community in Padua, Gabriel Trieste, to his congregation in the mid-nineteenth century.
Artwork Details
- Title: Pair of Torah finials (rimonim)
- Silversmith: Andrea Zambelli "L'Honnesta" (Italian, active 1732–1772)
- Date: ca. 1740–50
- Culture: Italian, Venice
- Medium: Parcel-gilt silver
- Dimensions: Overall (.416 confirmed): 26 9/16 × 6 3/16 × 6 in., 90.965oz. (67.5 × 15.7 × 15.2 cm, 2579.1g);
Overall (.417 confirmed): 26 11/16 × 6 × 6 in., 93.307oz. (67.8 × 15.2 × 15.2 cm, 2645.5g) - Classifications: Judaica, Metalwork-Silver
- Credit Line: Walter and Leonore Annenberg Acquisitions Endowment Fund, 2016
- Object Number: 2016.416, .417
- Curatorial Department: European Sculpture and Decorative Arts
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.
Content Notice
The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.




