Trappers

1956
Not on view
Returned to lender
This work of art was on loan to the museum and has since been returned to its lender.
The forceful shapes of two freshly killed Rocky Mountain elk dominate this stark composition. Even in death, their antlers, dramatically silhouetted against the white and blue snow, are locked, as if engaged in battle. Now, the elk share a common enemy, a fact Lawrence emphasized with bright blood seeping from both animals. Fur trapping and trading among Salish, Nez Perce, and Euro-American people in the Bitterroot Valley (in present-day Montana) intensified in the 1810s. Lawrence envisioned the vanquished prey as a metaphor for the land, material resources, and freedoms at stake in the War of 1812 and subsequent westward expansion. Like a few other panels in the Struggle series, the single-word title, Trappers, is apparently not linked to a specific historical textual source.

Artwork Details

Object Information
  • Title: Trappers
  • Artist: Jacob Lawrence (American, Atlantic City, New Jersey 1917–2000 Seattle, Washington)
  • Date: 1956
  • Medium: Egg tempera on hardboard
  • Dimensions: 16 × 12 in. (40.6 × 30.5 cm)
  • Classification: Paintings
  • Credit Line: Collection of Robert Gober and Donald Moffett
  • Rights and Reproduction: © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
  • Curatorial Department: Modern and Contemporary Art